For Sashiko stitching, preparing the pattern on fabric is straightforward. In fact, as shown in the 6 Minutes Video of Transferring Kamon Pattern for Sashiko, transferring a Kamon pattern takes only about six minutes with the right tools.
Here’s what you’ll need & exactly what I used on the video:
Carbon Paper (chalk paper with a carbon-coated side to transfer the pattern)
As the video shows, it’s quite simple and doesn’t require much skill. All you need are good tools and supplies to make sure your time isn’t wasted. This is just the process of preparing the pattern, not Sashiko itself. However, it’s a very important step to fully enjoy Sashiko.
General Tutorial on “How to Transfer the Pattern on Fabric for Sashiko”
Learning “How to Transfer the Pattern” is crucial, no matter the type of pattern you’re working with. While some geometric patterns can be prepared without this step, I encourage all Sashiko practitioners to master the process of using transfer paper and the appropriate tools. This skill ensures that any pattern can be accurately prepared, enhancing the quality of your Sashiko stitching.
For more detailed guidance, you can find a separate article I wrote in 2017 below.
A common question I receive from those interested in Sashiko is this: “Which is better—using preprinted Sashiko fabric or transferring patterns onto the fabric yourself?”
In my experience, transferring the pattern yourself is the most rewarding approach, and I always recommend it. Why? The process not only enhances your skill but also allows you to take full control over your project. Sashiko, at its heart, is more than the act of stitching. It’s a deeply personal journey of creating something uniquely yours, selecting and arranging patterns that truly resonate with you.
When you transfer the pattern by hand, you add a personal touch that simply can’t be achieved with preprinted fabric. The process is not overly complicated and can be done with basic materials like transfer paper and tracing tools. By preparing your own pattern, you engage more fully with each part of the Sashiko process, transforming a simple fabric into something entirely your own.
In embracing this step, Sashiko becomes more than just the final stitched design—it’s the entire process, from preparation to completion. This is why I encourage anyone, from beginners to advanced practitioners, to learn and appreciate the art of pattern transferring.
Other option is to purchase the fabric with pattern preprinted.
While I highly encourage you to learn how to transfer patterns onto fabric by following “A Video of Transferring Kamon Pattern for Sashiko,” there’s nothing wrong with using pre-printed fabrics. When working on a large piece with a complex geometric pattern, I understand that preparing the entire pattern yourself can feel overwhelming.
To make things easier, we offer fabric with pre-drawn patterns, created using a silkscreen technique and printed with water-washable ink on indigo-dyed cotton—the ideal fabric for Sashiko. These pre-printed fabrics provide a convenient way to practice Sashiko stitching, particularly with Unshin.
One suggestion I’d like to make, however, is to avoid pre-printed patterns where stitch sizes are already defined. Such markings can disrupt the natural rhythm of Sashiko stitching. Instead of following printed dots or lines that dictate stitch size, try to find your own rhythm and style in each stitch. This approach will allow you to truly connect with the art of Sashiko and make the process
The Best Sashiko Thread is more than just a material—it’s the foundation of beautiful, authentic Sashiko stitching. While many focus on mastering the intricate patterns and techniques of this traditional Japanese art form, one critical element often gets overlooked: the thread itself. Using the wrong thread can hinder your progress, but choosing the right one can elevate your work to a whole new level.
In this article, we’ll explore why the best Sashiko thread isn’t just a minor detail, but a game-changer in your stitching journey. We’ll explain how Sashiko thread differs from regular sewing or embroidery threads, and why it’s essential for achieving smoother, more durable, and visually stunning results. Whether you’re just beginning your Sashiko journey or are already experienced, selecting the right thread will unlock the true beauty of this art form.
Let’s dive in and discover how the best Sashiko thread can transform your work.
Why the Right Sashiko Thread Makes All the Difference: A Guide to Elevating Your Stitching
One of the most common questions I receive from Sashiko enthusiasts is about the thread: “Do I really need to use a specific thread for Sashiko?” and “What makes Sashiko thread different from regular threads?” These are excellent questions because, at first glance, it might seem like thread is just thread. But in reality, the thread you use can make or break your Sashiko project.
I’ve addressed this in-depth on my website (link at the end of this article), but let me share why choosing the right Sashiko thread is essential—and how it can transform your stitching.
A Story of Frustration Turned Success
Years ago, during one of my Sashiko workshops, I had a student who was excited to dive into the craft. She followed the techniques carefully, but her results were disappointing. Her thread kept fraying and breaking, making her stitches uneven and inconsistent. No matter how hard she tried, something wasn’t quite right.
After watching her struggle, I handed her a spool of authentic Sashiko thread, and the results were immediate. Her needle began to glide effortlessly through the fabric, the stitches came out smooth and even, and the beauty of the Sashiko patterns emerged. She was stunned by how quickly her work transformed—all because of a simple change in thread.
Why Sashiko Thread Is Different
So, what exactly makes Sashiko thread so special?
Unlike regular embroidery or sewing thread, Sashiko thread is designed specifically for the unique demands of this traditional Japanese stitching technique. Here’s why it matters:
Thickness and Strength: Sashiko thread is thicker and stronger than ordinary thread. This helps create bold, visible stitches that stand out and hold up over time. Regular thread can’t provide the same durability, especially when working with dense or repetitive stitching patterns.
Softness and Texture: The softness of Sashiko thread allows it to glide through fabric without causing unnecessary friction. This reduces wear and tear on the fabric and creates smoother, more uniform stitches. Ordinary thread, on the other hand, can be too harsh, fraying easily and making the stitching process frustrating.
Harmonious Results: Sashiko thread is designed to work in harmony with the traditional fabrics often used in Sashiko, like indigo-dyed cotton. This harmony helps achieve the characteristic “look” of Sashiko—an interplay between strong, clean stitches and beautifully textured fabric.
The Difference in Your Stitching
Using the right thread makes an undeniable difference. You’ll immediately notice that:
Your stitches are more even and consistent, allowing the patterns to emerge clearly.
The thread holds up over time, ensuring the durability of your project, whether it’s a small decorative piece or a larger textile.
Your overall stitching experience becomes smoother and more enjoyable, as the thread flows easily through the fabric, eliminating the frustration of constant fraying or snapping.
Why You Should Choose Authentic Sashiko Thread
If you’re serious about Sashiko, using authentic thread is not just a suggestion—it’s an absolute must. Without it, you miss out on the true potential of this beautiful art form. Authentic Sashiko thread connects you to the centuries-old traditions of Japanese craftsmanship, allowing you to achieve the best possible results in your stitching.
That’s why I’ve carefully selected and curated a collection of the best Sashiko threads available. These threads are made to the highest standards, ensuring they meet the specific needs of Sashiko stitching. Whether you’re just starting your Sashiko journey or you’re an experienced stitcher, using authentic thread will transform your work, helping you achieve cleaner, more professional results.
Elevate Your Sashiko Stitching Today
Are you ready to take your Sashiko projects to the next level? Don’t settle for ordinary thread that limits your creativity and frustrates your process. Order authentic Sashiko thread today and experience the difference firsthand.
Visit our store to explore the best Sashiko threads and elevate your stitching to new heights. Whether you’re working on intricate patterns or simple designs, using the right thread will unlock the full beauty of Sashiko. Don’t wait—make the switch and transform your Sashiko work now!
I’ve been reflecting for a while on whether it’s the right choice to organize this kind of campaign (Sashiko Japan Retreat Support Page) — asking for support to enrich our experience while in Japan. On one hand, it feels a bit uncomfortable (and even embarrassing). On the other hand, I’ve been facing more challenges than I expected, particularly with fewer students enrolling in my Sashiko classes for 2025. To be honest, I’m not entirely sure why this is happening. Could it be that I’ve shared too much content for free online, and now many feel satisfied without diving deeper? Could my generosity in teaching be working against me? Still, I have no regrets about sharing what I have—it’s part of my philosophy, and something I believe in deeply.
This campaign on Give Butter is about supporting “our” side of the Sashiko Japan Retreat, but more specifically, it’s to help with personal time we will spend with my family involving my daughter—who will be visiting Japan for the first time since the pandemic. Please take a moment to check out the Give Butter page I’ve prepared after much consideration. I really appreciate your time & consideration.
More Story behind of “Sashiko Japan Retreat Support Page”
For this 2025 Sashiko Japan Tour (Retreat), I’ll be bringing my daughter with me to Japan. Although Japan is part of her heritage, this will be her first visit. She’s now 9 years old, and the reason she hasn’t been able to visit before has been purely financial. Before the pandemic, she spent her summers with her grandparents in Israel, which made planning two separate international trips in one year nearly impossible.
Taking my daughter with me this time is a decision rooted in family needs—primarily to support my spouse, who works full-time. Originally, I hadn’t planned to offer another Sashiko Japan Retreat until my daughter was old enough to take care of herself, especially on nights when my spouse might have to work late or be on call. I even mentioned that the next retreat wouldn’t be for another 6 to 10 years. However, several Japanese Sashiko artisans advised me that waiting that long might be too late, as many Sashiko masters are aging, and we don’t have much time left to share and preserve the unique form of Sashiko we practice.
After discussing the risks with the participants of bringing my daughter along, I decided to balance offering the Sashiko Japan Tour with the responsibility of caring for my family.
However, things took an unexpected turn after we had already booked our flights and accommodations. My spouse made the difficult decision to step down from her job. While this has significantly reduced her stress, and she’s now more able to care for our daughter, it has also required us to make some financial adjustments. Of course, I fully support her decision—her health and well-being are far more important.
With all of this in mind, I’ve decided to launch another “Give Butter” campaign, asking for your support. I plan to use your contributions to help immerse my daughter more in Sashiko culture. Right now, she doesn’t have much interest in Sashiko or Japanese crafts, but I hope this experience in Japan will give her a connection to it—and maybe, just maybe, she’ll begin to appreciate it.
This campaign also has a second purpose: to involve my friends, students, and followers in this unique and exclusive retreat. I’m not sure how often I’ll be able to offer these tours in the future, so I want to make this experience as inclusive as possible. For those who contribute to the Give Butter campaign, I’ll be sharing personal photos and stories on a designated website. Last year, the postcards from Japan were a big hit, so I’m excited to send them out again this year as a small token of my appreciation.
Once again, thank you very much for your consideration to this. It is a bit embarrassing to do so… at the same time, it is my responsibility to preserve the Sashiko we have been practicing, and I “can” ask for the support when I need a bit of help to push the vechicle to reach to the Goal.
Thank you once again for being part of this journey with us.
In this unique 3-Day Workshop with Japanese Sashiko Artisan Atsushi Futatsuya, participants will immerse themselves in the rich tradition of Japanese Sashiko stitching. Whether you’re new to Sashiko or an experienced stitcher, this intensive workshop offers a rare opportunity to learn not only the technical skills but also the cultural, historical, and meditative aspects of this beautiful art form.
3-Day Workshop Currently Scheduled
3-Day Workshop: [Core & Essence] to [Application & Practice] at Aya Fiber Studio in FL.
Fri, Mar 7, 2025, 9:00 AM EST – Sun, Mar 9, 2025, 4:00 PM EDT
Master Core Sashiko Techniques On Day 1, you will build a strong foundation by mastering the essential techniques of Sashiko. You’ll learn to create rhythmic, even stitches, focusing on Unshin (needle movement)—a fundamental aspect of Sashiko. Atsushi will guide you through posture, the correct use of thimbles and needles, and how to create beautiful, consistent stitches. These skills will serve as the building blocks for the rest of the workshop.
Hands-On Experience with Real Sashiko Projects Starting on Day 2, you will apply the techniques you’ve learned to actual projects. You’ll work on personal garments, learning how to transfer patterns, prepare fabric, and use Sashiko for mending and decorative stitching. You’ll also explore Boro, a traditional patchwork technique, gaining the ability to create unique and striking pieces from repaired fabrics.
Explore Advanced Sashiko Styles Like Hitomezashi On Day 3, you’ll dive deeper into Hitomezashi, a complex and visually striking variation of Sashiko. Atsushi will teach you how to design and stitch Hitomezashi patterns, providing a deeper understanding of this advanced technique. By the end of the session, you’ll be able to confidently apply this style to your own textile projects, adding new creative possibilities to your Sashiko repertoire.
Gain Cultural Insight and a Deeper Understanding of Sashiko Atsushi will share the rich history and cultural significance of Sashiko throughout the workshop. You’ll learn about its origins, its evolving role in Japanese culture, and the philosophy that underpins this meditative art. This deeper cultural understanding will enrich your practice, allowing you to approach Sashiko with a mindful and appreciative perspective.
Learn from a True Sashiko Master Working directly with Atsushi, a third-generation Sashiko artisan, provides a unique learning experience. His expert guidance and personal feedback will help you refine your technique and enhance your understanding of the art. By the end of the workshop, you’ll have not only improved your skills but gained confidence in creating beautiful Sashiko work on your own.
A Complete Sashiko Toolset for Continued Practice The workshop includes a curated supply package of authentic Japanese materials, handpicked by Atsushi to ensure you have everything you need to succeed. From high-quality Sashiko threads to fabrics and tools, the kit will allow you to fully immerse yourself in Sashiko during the workshop and continue your practice long after.
Inspiration for Future Projects This workshop is designed to inspire your creativity, offering ideas and guidance for future Sashiko projects. You’ll learn how to incorporate Sashiko into your daily life—whether through mending favorite garments or creating new designs. Atsushi will offer insights on how to approach new projects, helping you make Sashiko a mindful and creative outlet.
A Supportive, Hands-On Learning Environment The workshop offers a friendly and supportive setting where you can ask questions, get feedback, and enjoy hands-on practice. By the end of the three days, you will have created several pieces, developed a refined understanding of Sashiko, and learned how to incorporate this traditional art form into your creative practice.
3-Day Workshop with Japanese Sashiko Artisan
Key Takeaways:
Master essential Sashiko techniques: Gain expert guidance in rhythmic stitching, proper tool use, and traditional patterns.
Apply Sashiko to real projects: Learn practical techniques for mending and embellishing your own garments.
Explore advanced styles: Develop proficiency in Hitomezashi, an intricate and visually striking variation of Sashiko.
Cultural immersion: Understand the rich history and philosophy of Sashiko to deepen your connection with this art form.
Complete toolset: Receive all necessary materials for Sashiko practice, ensuring you can continue exploring the art after the workshop.
Personalized instruction: Benefit from hands-on support and personal feedback from a master Sashiko artisan.
This 3-Day Workshop with Japanese Sashiko Artisan Atsushi Futatsuya offers a rare and immersive experience for anyone passionate about Japanese textile arts. Over the course of this intensive 3-Day Workshop with Japanese Sashiko Artisan, participants will have the opportunity to work closely with Atsushi, a master of traditional Sashiko stitching. Whether you’re a beginner or looking to refine your skills, this workshop will help you develop a deeper understanding of this ancient craft.
The 3-Day Workshop with Japanese Sashiko Artisan is more than just a sewing class—it’s a journey into the rich cultural heritage and philosophy behind Sashiko. You’ll learn not only the technical aspects of stitching but also the meditative and mindful practice that makes Sashiko so unique. By the end of the workshop, you’ll walk away with not only enhanced stitching skills but also a newfound appreciation for the beauty and history of Japanese textile arts. This is a rare chance to engage directly with an artisan and to truly experience the transformative power of Sashiko.
3-Days Sashiko Workshop with Japanese Sashiko Artisan Atsushi Futatsuya will be held in March 2025 in Stuart, FL, offering a deep dive into the Sashiko technique. The workshop will begin with [Core & Essence] and progress to [Application & Practice], providing a rare opportunity to learn the fundamentals of Sashiko, including the essential Form (Kata). Much like mastering basic cooking techniques, understanding this foundation is crucial. This comprehensive workshop will cover almost everything we can teach, ensuring it enriches your Sashiko experience.
Join Us for a 3-Day Sashiko Workshop in Florida – March 2025
Join our 3-Days Sashiko Workshop in Florida for a unique opportunity to deepen your understanding of Sashiko stitching, whether you’re a beginner or an experienced practitioner. This workshop goes beyond the basics, offering perspectives on Sashiko rarely introduced in English. The focus is on mastering the core elements of traditional Sashiko, with an emphasis on the Form (Kata)—the essential techniques that form the foundation of the craft. Just as learning to handle basic tools is key in cooking, proper form is crucial to embracing Sashiko as an art.
Over three days, we’ll share nearly everything we know about Sashiko. Whether you’re new to the craft or refining your skills, this workshop will deepen your connection to the tradition, offering insights and techniques that will enrich your Sashiko experience for a lifetime.
The Core & Essence of Sashiko
The [Core & Essence] of Sashiko focuses on the deep principles and philosophies behind the art of Sashiko stitching. More than just a decorative practice, Sashiko originated as a practical technique used by Japanese communities for mending and reinforcing fabric. Over time, it evolved into a meaningful form of artistic expression, combining utility with beauty.
This workshop will explore these fundamental concepts, emphasizing that Sashiko is not just about stitching patterns but is deeply connected to rhythm, mindfulness, and the relationship between hand and fabric. You’ll learn to appreciate how each stitch represents more than just a technical act—it is a meditative practice, reflecting the spirit and intention of the maker.
During the [Core & Essence] portion of the workshop, you will be guided through the fundamental movements and techniques that give Sashiko its unique rhythm and flow. Mastering this aspect is key, as it helps you develop a deep understanding of the Form (Kata) that underpins all Sashiko stitching. Similar to learning to hold and use a knife and cutting board when beginning to cook, mastering the form in Sashiko is essential for building a strong foundation. This includes learning the right posture, the hand movements, and the proper tension in your stitches.
You’ll also discover the cultural significance of Sashiko, understanding how it ties into Japanese history and its connection to sustainability, simplicity, and the spirit of “mottainai” (the feeling of regret over waste). These elements are at the heart of Sashiko, influencing its aesthetics and practice today.
From Core to Practice
Once you have a solid grasp of the [Core & Essence], we’ll move on to [Application & Practice], where you can begin applying these techniques to more intricate projects. Whether your focus is on mending, embroidery, or textile design, the 3-Days Sashiko Workshop in Florida will offer invaluable insights to help you elevate your work. You’ll move beyond simple stitching and learn to create pieces that truly embody the spirit of Sashiko.
Throughout the course of this 3-Days Sashiko Workshop in Florida, we will share nearly everything we know and can teach about Sashiko. Whether you are new to the craft or looking to enhance your existing skills, this immersive workshop promises to deepen your connection to this traditional Japanese art form. We are confident that it will enrich your Sashiko experience, providing insights and techniques that will last a lifetime.
I will be there to support your learning comprehensively
I will be attending the 3-Days Sashiko Workshop in Florida to thoroughly learn Sashiko from its Core & Essence, diving deep into the foundational elements that make this craft so unique. This workshop isn’t just about learning stitching techniques; it’s about understanding the true heart of Sashiko—its rhythm, form, and the philosophy passed down through generations. By immersing myself in this experience, I aim to grasp the essence of Sashiko, from the precise hand movements to the cultural significance of each stitch. This workshop will allow me to explore the mindful, meditative aspects of Sashiko while developing the skills to practice it with precision and intent. I’m excited to embark on this journey, focusing on both the technical mastery and the deeper, traditional meaning of this beautiful craft.
We have several In-Person Sashiko Workshops scheduled throughout 2025. To find the perfect workshop for you, please check our Sashiko Class Schedule for 2025.
https://upcyclestitches.com/sashiko-workshop-2025
If you’re eager to start learning Sashiko immediately, we invite you to explore our Online Sashiko Class via the link below. This online option offers a convenient way to begin your Sashiko journey from the comfort of your own home, providing comprehensive lessons that cover all the core techniques.
It is my sincere pleasure to re-join the QuiltCon 2025 as a Faculty. This page is for those who plan to attend QuiltCon 2025 Sashiko Workshops & Lecture, “Core & Essence” “Apply Hitomezashi to our Ordinary” and “Aesthetics of Stitching from a Sashiko Artisan – Why Do We Stitch“. Please find the details below to see what you can expect in QuiltCon 2025 Sashiko Workshops & Lecture.
For those who have the registration confirmation, I will prepare the support page below.
*The Support Page will be available later when it gets close to QuiltCon
*If you do not have a registration confirmation to join the QuiltCon 2025 Sashiko Workshops & Lecture, please contact MQG for the possible waiting list. In the previous QuiltCon, there were a few last minutes cancellation, and there may be a chance for you to join this year. Also, I offer Online Sashiko Class as well as a few In-person Workshops (for 2024 & 2025). Please check each articles for the details. Thank you.
*I have a feeling that QuiltCon 2025 will be the last QuiltCon I teach Sashiko [Core & Essence]. This is my 5th year to teach the exact same workshop, and I find it quite rare to repeat the same contents. The Sashiko Workshop [Core & Essence] is the fundamental of pretty much all of my teaching in Sashiko – like teaching how to use a specific Japanese knife & cutting board before sharing some recipe for Japanese cooking. It would be difficult to create another contents for those without completing the [Core & Essence]. I am happy to consider re-applying to QuiltCon 2026 when I have a list of interest. I respect the QuiltCon’s philosophy, goals and policy – and I understand that it isn’t the best match to keep offering something same repeatedly. If you couldn’t register yourself for QuiltCon 2025, and yet wish to take the [Core & Essence] in the future QuiltCon, please fill out the Google Form below so that I will consider the possibility. Thank you.
*The Support Page will be password protected after the QuiltCon, and I will send the Password for those who attended the workshop. The offer available on the Support Page are only available to those who sign up & purchased the Special Supply Package. Misuse of any offers are subject to the actual price adjustment. Thank you for your understanding!
QuiltCon 2025 Sashiko Workshops & Lecture
In QuiltCon 2025, I offer 2 kinds of Sashiko Workshops & Lecture. One Workshop is my signature workshop [Core & Essence] and Another Workshop is my new challenge [Sashiko: Apply Hitomezashi to our Ordinary], which doesn’t have any prerequisite to join. The Sashiko Lecture is about “Aesthetics of Stitching from a Sashiko Artisan – Why Do We Stitch.”. In this page, I explain what you can expect in each Workshop & Lecture, which includes information about preparation may be required.
QuiltCon 2025 Sashiko Workshop [Core & Essence]
In our tradition, Sashiko is NOT about making perfect (or Inperfect) stitches. It is all about moving (trusting) a needle comfortably while communicating the fabric. Unfortunately, the current trend of Sashiko is missing one important aspect of Sashiko. In this “Core & Essence” workshop, I will teach you the core technique of our Sashiko so that you can start focusing on communication rather than judging each stitches you make.
It is extremely important to take this workshop before jumping in to any of other workshops we offer. There are a few Japanese terms that the participants need to memorize (not so many & no exams or whatsoever, but knowing them is important).
On Instagram and Facebook, I often say: Sashiko is NOT ◯◯. This workshop “Core & Essence” will give you the answer what Sashiko is for you while you learning new techniques.
*This workshop is not a type of “Let’s Enjoy Sashiko Togeher” workshop. It is one-direction learning experience for you. The participants are required to stitch a lot. They may have to go through some “uncomfortable” stitching experience (due to new muscles they use). Sometimes, it may require some mindfulness in an eye-opening experience. Please do not be scared or worried, however. I will do everything to help you to “experience” and “start enjoying” the Sashiko we practice today.
*There is NO prerequisite for this workshop. No experience in Sashiko is necessary. If you have never touched the hand-stitching needle, please try to learn how to “thread” the needle, or how to use the threader (videos are available on my Youtube). On the other hands, if you think you already know about Sashiko, please try to be as open-mind as possible. What I teach in this workshop is probably different from what you already know. There is no such a thing as “Right and Wrong” in Sashiko: and I will add another perspective of Sashiko in this workshop.
It is extremely important that everyone has the exact same materials & tools to pass down the Core & Essence within 6 hours. Please purchase the special package below before the QuiltCon 2025.
What to bring to Sashiko: Core & Essence.
The Special Package above is all you need to enjoy the Sashiko: Core & Essence. If you choose to receive it to your home, please bring all of the contents inside.
The following list is something maybe helpful for you to bring & prepare:
Masking Tape or Bandage to protect the nail from scratching by needles.
It may a good idea to cut the nail on the dominant hand (the hand with the needle). One can learn Sashiko with long nails, but it may be an obstacles in the first trial.
Sashiko Workshop: Apply Hitomezashi to our Ordinary
Hitomezashi is a popular style of Sashiko to apply our Ordinary Stitching & Fashion. This workshop introduces a standard process of enjoying Hitomezashi. Starting from learning how to prepare the grid on the fabric, how to “create” the Hitomezashi pattern, stitch Hitomezashi & apply it to a favorite Quilt/Garment (stitching on Used Denim or thin cotton fabric is Recommendation).
Unlike another Sashiko Class “Core & Essence” Atsushi offers, this workshop does NOT include a strict learning & stitching practice. A participant can use any thread & tools that they want to use. You may purchase a package of materials prepared, but it is not required to purchase.
The Objective is to learn how creative we can be while appreciating the Cultural Significance of Sashiko by approaching both visible & invisible mending while maximizing the joy of Hitomezashi. Experience in Sashiko: [Core & Essence] will be a great help to maximize this workshop, but not required.
Several Small Swatch of Fabric, about the size of 4” x 4” (No bigger than 7” x 10” and No smaller than 3” x 3”). Just in case, please prepare – several kinds of fabrics. This will be used for the “Patches”.
A garment (or any other fabric items) that you would like to attach the Sashiko Stitched Swatch(es). It can be with some damages such as torn or a hole.
Chalk Pencil, or Fabric Marker. Please choose the one which you can draw on the fabric you will bring. Fine Point pen/pencil is recommended.
Masking Tape
A (small) ruler to draw straight lines.
A tool to cut the thread (to the ideal length).
US Letter Size Card Stock Paper with 5mm Grid Pattern Printed (PDF will be provided via email). Preferably the card stock thickness of 199 GSM or more.
Please check the article for “What is Recommended Supply” (Preparing).
The Optional Supply Package with Required & Optional Supply (excluding scissors, thread clipper and Garment you want to stitch on) is available for purchase.
Extra Card Stock Papers with Grid on, with changing the Grid Size.
Any Tools to make stitching comfortable. ex) an embroidery hoop if one feel comfortable stitching with it.
Required Preparation
Please cut fabrics you want to stitch on to the size about 4″ x 4″, no bigger than 7” x 10”, and no smaller than 3” x 3” (change the size based on your preference). Please bring threads in a form that you can use right away.
Sashiko Lecture: Why Do We Stitch?
Aesthetics of Stitching from a Sashiko Artisan – Why Do We Stitch
Aesthetics can be defined as one’s appreciation of beautiful things. We choose to stitch in a society where we can purchase something already stitched. Is there any link between our choice & Sashiko’s Aesthetics? What is the philosophy behind the stitching for a Sashiko Artisan (Atsushi) who has been hand-stitching throughout his life? Why does he even still practice Sashiko?
This is the Lecture introducing Atsushi’s Sashiko. It starts from his childhood to Today’s form of stitching why he is teaching Sashiko in English. We hope to introduce another way to approach stitching with another way to embrace the aesthetics to fully appreciate Sashiko in Western Quilting World. Why Do You Stitch? Atsushi is ready to share why he stitches.
Learning someone’s Aesthetics from different cultures will be the bridge between Appropriation to Appreciation of other cultures. There is a person who decided to dedicate all of his entire life into Sashiko, and this is his Story to share the Aesthetics of Stitching as Adding Stories to our own Fabrics.
About Recommended Tools for our Sashiko
The Special Supply Package for the [Core & Essence] Workshop includes everything the participants need in the workshop. There is no need to prepare thread, needle, thimble or fabric for learning Sashiko in this workshop. In order to avoid unfortunate misunderstanding, I require everyone to use the exact same tools & supply.
That being said, there are a few recommended tools for Sashiko, which is NOT necessary yet very useful when you wish to continue Sashiko stitching. You can find another article here for Recommended Tools.
In the Sashiko we practiece, we try to make both side of the fabric as the “finished Side.” To make it easy to cut the thread left over, this thread clipper is a good idea to have.
Our Sashiko Thread is quite easy to get tangled when it is not properly handled. This Bobbin Paper is designed to keep the Sashiko Thread in a good shape for a travel or heavy usage.
It is important to learn how to prepare the pattern by ourselves as Sashiko Practitioenrs. One way to prepare the fabric is to “transfer”. This paper will help us to do better.
Recommended Items are available as a Set Deal for Quiltcon 2025
General Information for the Recommended Tools & Supplies for Sashiko Stitching
I am here to Support
After receiving the participation confirmation, if you have any questions about QuiltCon 2025 Sashiko Workshop “Core & Essence”, please contact Atsushi. I am happy to answer any questions or worries prior to the workshop.
Your question may be someone’s question, and I will share the question and answers here on this website (of course, annonymously).
I am looking forward to meeting you in the QuiltCon.
As the word “Sashiko” gets so popular, we can find many articles, publications, Art Pieces, and any form of projects using the word “Sashiko” with or without Consulting Work for Sashiko Project. Many of them follow the idea of Sashiko within their capacity. Unfortunately, some are completely ignoring the Cultural Understanding of Sashiko. It is true that there are not much information available in English regarding Sashiko. By simply following the information from the Online Sources, the project can mislead the audience even if it isn’t the intention of the authors or organizers. To avoid further misleading the culture, I decided to start offering the Consulting Work for Sashiko Project.
The lack of information regarding Sashiko (and other Japanese culture) is caused by many factors. One of my favorite saying is, “Westerns (Developed Cultures) Ignorance, and Japanese’s Laziness”. It is true that Japanese people neglected to explain their Cultural Significance for many decades. For Sashiko, as I am somewhat proficient in both Japanese & English, I will try my best to get out of the “Laziness” of explaining the cultural part of Sashiko.
Service of Consulting Work for Sashiko Project
The Service itself is quite specific as all I can offer is the consultation from the perspective as a Sashiko Artisan. However, because of this speciality, I believe the consulting Work for Sashiko Project will be very valuable.
What I can offer is:
Providing the Voice(s) from Japanese Sashiko Artisan(s). I have a group of Sashiko Artisans stitching actively together. It won’t be just my own personal imagination.
Translation with adding as many “annotation” from Cultural Perspective. As my translation itself isn’t so professional level, it would be very efficient to combine a translator & me as a contents proof reader like below.
Proof Reading to check if the writing is Culturally Inappropriate.
Advise to Apply Sashiko Philosophy to your Project
Advise to Publication, Articles, Films, and any other materials toward the general public
Potential Clientele I am hoping to work with
It is my pleasure to work with anyone & any organizations who are interested in what I would say. That being said, the Clienteles that I am imagining to work with are following:
An Organization which try to apply Sashiko’s Philosophy to their project
A Media potentially writing/filming about Sashiko Stitching & related philosophy
An Author/Publisher who are planning to write an article/book about Sashiko
Any Organization/Individuals who consider using the word “Sashiko” for commertial purpose without anyone Japanese in the process.
How much does it cost?
At this point, I do not know how much I “should” charge for the Consulting Work. In fact, it depends on the type of request. If you interested in having me, please reach out to me from the contact form below.
*To make it sustainable & considering that I would work with organizers/companies, please expect $100.00 hour rate or so. It will, of course, change on based on the request. I am setting the line to avoid the unfortunate misunderstanding. I will not reply to the request without this base understanding.
Sample Consulting Work for Sashiko Project
I haven’t announced this Consulting Service in the past. However, several organizations & publishers were very considerate on their projects. They invited me to their project & ask for the voice to make the project & writing more Culturally aligned to the history.
Here are several sample works I have worked with.
2023 – Longwood Garden, Illumination with Sashiko’s Philosophy
You may be wondering if you would need Consulting Service to your own personal Sashiko Work. As much as I would love to offer my feedback to your Sashiko, I do not think it is necessary to have me as your consultant. Instead, please consider joining to my teaching opportunities from below. If you want to see how my teaching is like, please start with Domestika Course. Then, when you wish to learn Sashiko more seriously, please consider taking the [Core & Essence] Class (Online or In-Person)
It would be very much appreciated if you could support me on Patreon Platform where I continue sharing the Sashiko Story. With the monthly support of as less as $5.00, I am happy to offer my advise on your Sashiko Project when it is done for your own leisure.
*Please consider hiring me if your Sashiko is for commertial purpose like mentioned above as “Potential Clientele I am hoping to work with”.
Please involve Japanese who knows what they are talking about
When I see a group of people are discussing on a topic “What is Sashiko/Boro” without anyone who aren’t really a part of Japanese culture, I feel very strange. They define what Sashiko/Boro is without even asking/talking to the Japanese people.
It is okay when the discussion is done as a part of hobby or leisure, I guess. However, when it is done as a part of Cultural Contents of the Company or Media, I believe it is important to have someone who knows what they are talking about. Even more seriously, when it is in a “teaching Setting” such as Workshop or Class, as the students/participants will naturally believe what the teachers say, the contents need to be throughly examined to avoid the misunderstanding.
Unfortunately, this offer may be too late as I see quite many misunderstanding & teaching with misleading information. However, it doesn’t mean that I can give up my own cultural practice. I hope that this service will help them to realize it is more than what is introduced in English. The Sashiko introduced in English is very simplified, yet romanticized, for the entertaiment & profit purpuse.
Sashiko In-Person Workshop Schedule 2025 is now available, and we are thrilled to continue offering these workshops throughout the coming year. We sincerely appreciate your interest in learning Sashiko with us. Below, you will find all the detailed information regarding the 2025 schedule.
This post summarizes the workshops that Atsushi will be offering in 2025. We are intentionally limiting the number of workshops to ensure each participant receives an enriching and thorough experience. Due to demand, these workshops can fill up quickly based on location and timing. Once they are fully booked, I am unable to manage the participant list. If you see an available spot, we encourage you to register as soon as possible.
If you have any questions about registration or other administrative details, please contact the hosting organization or studio directly, as they will provide you with a clear understanding of what to expect.
*For those eager to start learning Sashiko now, rather than waiting for an in-person workshop, I highly recommend considering the Sashiko Online Class (2024–2025). Many participants have shared positive feedback, stating that the online class provides the same deep understanding of what Sashiko truly is. Some even prefer it, as they can learn at their own pace. I am always available virtually to support your Sashiko learning experience.
QuiltCon 2025 (Phoenix, AZ) – Feb 20th & 21th, 2025
It is another pleasure to be a faculty in QuiltCon again. This year, I will be offering Sashiko Workshop [Core & Essence], a short Version titled [Apply Hitomezashi to your Ordinary] (In-Person Version similar to Domestika Course), and a Lecture about [Why we stitch (Sashiko)].
Please check the detail below for the possible participation to Quitcon 2025 & Sashiko Workshops & lecture. (Waiting for Registration Opens).
Aya Fiber Studio (Stuart, FL) – March 7th to 9th, 2025
3-Days In-Person Workshop has become my Standard & Best Style of Teaching the Sashiko we practice, starting with [Core & Essence] and following [Application & Practice]. This 3-Days Workshop will offer fun, educational, and intensive 18 ~ 21 hours of stitching together. Plan your time in beautiful beach in FL with Sashiko.
Sashiko introduced in English often focused on “Outcomes” too much without acknowledging the Japanese mindset behind Sashiko Practice. In order to fully appreciate the culture, one needs to learn the “new muscle memory” that is quite unique to many western style stitchers. This 3 Days workshop will keep encouraging you to learn something new from both technical & mindset perspective. With receiving many positive feedbacks, we are confident that this will be an eye opening experience for you.
Madeline Island School of the Arts (La Pointe, WI) – July 2025
This is my first time to offer 5-Days Workshop. In a beautiful Campus of MISA with an appreciation to the Spiritual feeling, we will invite you to fully enjoy Sashiko. I decided to call it Sashiko Retreat.
It is quite interesting to see Sashiko being famous as a word to express “Visible Mending”. It is true that Mending is a big part of Sashiko – however, they stitched to make fabric stronger so that they can avoid the mending until the last moment. For that, Sashiko is a word for “Invisible Mending”, yet “stitching/mending” itself can heal us regardless of the result.
Sashiko is NOT similar to Zen at all, although Stitching can bring us Zen-like outcome. While explaining the difference between Zen and Sashiko, I would like to offer the realization of outside of Dualism & Western Value System.
*The contents are very similar to In-Person 3 Days Workshop, starting with [Core & Essence] and following to [Application & Practice]. You are always welcome to join even after the In-Person 3 Days Workshop & a few participants have participated the workshop as a repeater & found themselves in learning more. Please be reminded, though, that the 5-Days Workshop is composed based on [Core & Essence] and [Application & Practice].
No Workshops near your place? Invite Atsushi to Your Place
Please consider bringing Atsushi to your Group (or even to you as a private course) if you do not find a ideal location & time for you to join Sashiko In-Person Workshop Schedule 2025. Depends on the size of your group & location, this may be the best arrangement for you. Please take a look at the article below & contact Atsushi for the availability.
In most cases, when you have me for an individual group, it will be a Day workshop. I will do my best to make the day memorable & something special. Sashiko is a stitching in Ordinary, but I am confident that I can make the day extraordinary with sharing our ordinary.
If you are an organizer wishing to offer Sashiko Workshop with Atsushi to add Sashiko Workshops to your program, please check the “Pricing Benchmark” PDF from the link Above.
In last 7 years of experience, we have never experienced the case of “Cancellation” due to the lower numbers of participations (below the minimum enrollment). In fact, the workshop will sell out pretty quickly especially when it is the first time for the organizer to have me.
In the “New Normal” after the pandemic, many things move to “Online”. In this trend, I have strong respect for those who maintain the physical locations as Studios and Museum to offer In-Person workshops. It is my intention to contribute to your place with the best Workshop Experience.
Sashiko Online Class (24~25)
Sashiko Online Class is available for those who would like to start learning Sashiko “Right Now” from your own house/room. After offering Sashiko Workshops over the Internet for a while during the Covid-19, I am confident that I can deliver the same message & learning experience via Sashiko Online Class. I “restock” Sashiko Online Class each month, based on the numbers of participants who signed up for the specific period. If you find it available, there is no need to fulfill the waiting list.
I am looking forward to meeting you online!
More to Come for Sashiko In-Person Workshop Schedule 2026
I hope that I can keep offering the workshop in the year of 2026. For the latest information, Please follow Instagram, Business for @UpcycleStitches and Sashiko Stories for @SashikoStory for the latest update!
This week, I plan to have Sashiko Workshops & Sashiko Lecture at Bennington College in VT. It is my first time to offer the Sashiko Workshop & Sashiko Lecture in an academic setting as an invited guest lecturer. The Professor, J Stoner Blackwell, had invited me to such a honorable opportunity to share the Sashiko We have been practicing. They joined the Sashiko Workshop [Core & Essence] at Loop of the Loom in NYC. As someone who teach, it is the biggest reward that they contacted me to share their experience to their students & community after the initial workshop.
This visit will be consisted with 3 parts, (1) Sashiko Workshop to their students in Art Department (2) Sashiko Workshop to the local community (Open to the public with workshop fee), and then (3) Sashiko Lecture at Bennington College (Open to the publich For Free of Charge).
The Sashiko Workshop [Core & Essence] is very structured, and there aren’t much I can modify. In contract, as I received 2 hours for the lecture, I am planning a lecture that I can choose based on the reaction in the auditorium. I don’t really know who will be the audience… the students or artists from community… or even faculty…?
Bennington College has a quite beautiful mission. I share it below & I hope that I can meet their expectation.
In 1932, Bennington was founded on the belief that the education most worth having is the one you create for yourself. The College does not require students to fulfill a set of ready-made requirements; instead, it challenges them to discover their own intellectual identity and to design an education that will help turn them into the person they hope to become.
The College’s faculty plays a crucial role in this process of transformation. At Bennington, faculty members do what they teach, and students put their learning into practice. Students learn about literature from authors who write and publish it, in the same way that they learn choreography from dancers who create and perform their own work. Physicists and philosophers and playwrights teach at many other colleges, but typically, they ask their students to do very different work from the kind they do themselves. At Bennington, students don’t just learn about biology – or poetry, history, or anthropology – from their teachers; they also practice it along with them. Because both students and teachers actively engage in the work at hand, the relationship between them is richly collaborative, and students often participate in the research and creation of faculty work.
The New Possibility for “Sharing Sashiko”
The Sashiko Workshop & Sashiko Lecture at Bennington College is sponsored by Painting and Drawing at Bennington College, The Robert Frost Stone House Museum with additional funding from Usdan Gallery. This is my first time to work under someone’s funding/grant. Thanks to the generous support from these funding, we could reduce the workshop price substantially.
I strongly believe that the pricing for my Sashiko Workshop [Core & Essence] is reasonable. The host (Studio/Organization) needs to make their ends meet, and I need to feed myself, too. To make it sustainable. it has been the right pricing for both host & guest (students). The waiting list I often get for the workshop explain that the pricing is not outrageous. However, at the same time, I understand that it costs some money. I want to share the Sashiko we practice with as many people as possible – and as the result, I joined the Domestika to make the Introduction to Japanese Sashiko.
I have never tried to get Grant… for some reasons, I thought I wouldn’t be able to do so. Well, I may need extra steps to prepare such as making our activities as Non-Profit, or going through a pile of paper works… regardless, the fact I could offer the workshop with grant is a big achievement (All thanks to Prof.J). I hope I can start another journey of pursuing this new possibility.
Photo (C) William Morris Gallery, London Borough of Waltham Forest
Sashiko Lecture at Bennington College will go to more “Public”
I have learned that it is perfectly fine to repeat the Same Message in sharing stories. In fact, I realize I “have to” repeat it to be listened, or even heard. So, I plan to offer the same lecture I do tomorrow online somwhere toward May or June, 2024. When it is ready, I will inform it here, Instagram, and probably GiveButter, too.
It is about “Sashiko Today”, and it will be the summarize of all the things I talk about in Sashiko Live Streamings. If you are interested in Sashiko, please come to Youtube on Thursday night at 9 pm EST (Not this week) to see what I keep saying about Sashiko!
It is everyone’s interest to see what is Good Thread for Sashiko. I have been sharing many stories on SNS & Youtube about our sincere recommendation on Good Thread for Sashiko. It is indeed that Sashiko Thread Matters. Choosing a good thread will not only make a difference in the result of Sashiko but it also will improve the stitching experience itself. This article is an updated information about what is Good Thread for Sashiko in 2024.
*If you would like to jump to the conclusion & see what is available for purchase, please check this category. The threads listed there are all our recommendations & we use them in everyday’s stitching.
Coron Sashiko Thread – Where is it now?
Since I started Upcycle Stitches, I have been recommending “Coron Sashiko Thread” as the Best Sashiko Thread for the Sashiko Purpose. Coron Threads Manufacture.Inc is (was) a well-established & detailed manufacturer specialized in making various kinds of Threads. Where I am from (my family business) also work(ed) with them, and have been offering their wonderful Sashiko Thread.
You may find it difficult to have Coron Sashiko Thread in the last few years. Many Craft Supply Stores unlist their threads. Some even put them on sale to liquidate their inventory. Long Story Short, it is very sad that Coron Thread Manufacture. Inc doesn’t exist any longer. In the pandemic, similar to many other businesses, they decided to close their operation. It took a long time to “pass it over (revive)” to someone to continue their legacy. Thanks to many people’s help, we are now able to resource very similar (almost identical) Sashiko Threads.
We have the same thread as our recommendation – yet the Coron Sashiko Thread no longer exists. We can still use the best Sashiko Thread, yet it is so sad to see Coron Threads Company gone.
We have been sharing the reasons why we use the “Sashiko Thread (manufactured by Coron)” as a Good Thread for Sashiko for decades. It isn’t only the materials, thickness, or colors. We have so many people & wisdom to make the Thread happens. However, in a big trend of Sashiko, Sashiko practitioners mainly focus on colors & thickness. Some even say “Threads do not matter in Sashiko. Use whatever you have”.
Well. It is true that one can use any threads for Sashiko to enjoy stitching itself. However, it doesn’t mean that we can ignore the wisdom behind long-established threads. It is so violent to tell others “whatever is fine” without acknowledging the stories behind. Some may do it unintentionally (just don’t know what it is), or worse, it seems they are misleading the information to increase their profit.
Sashiko Threads Matter – and without appropriate Sashiko Thread, some of the wisdom we appreciate today will not be promised. For example, I find some Sashiko Teachers saying “It is impossible to make both sides of fabric as identical in Sashiko”. It is impossible “For Them” because they do not understand the purpose for Sashiko Thread – and the significance of the outcome of Good Thread for Sashiko.
I do not want to repeat the same mistake
We have some memories with Coron Thread Manufacture as “Company”. They were a group of Shokunin – the respected & strict people with their own skill & tradition. It indicates that they weren’t so well prepared as “Business People” in today’s society. The issues of their business challenges, such as aging of Shokunin & finding the next heir (as they couldn’t increase the compensation like other industries), existed before the big trend of Sashiko. I knew it wasn’t going so smooth, but I never thought we would lose the Coron Thread Manufacture…
I do not want to repeat the same mistake I have made. It isn’t no one’s fault that they discontinued their business. The competition & expanding the market is a very healthy business activity. Without healthy competition, the culture won’t be secured appropriately.
The mistake I clarify here is us (Japanese Artisans) not speaking up enough. It isn’t healthy to have some non-Japanese saying “Whatever thread is fine for Sashiko” without knowing any of our Stories. Please be reminded that you indeed can use any thread for Sashiko. However, it has to be “one’s choice” – not something to teach or share with others without proper acknowledgement.
I do not know if Coron Thread would have continued their production if I spoke up more decades ago. Finding someone to take over the business was indeed a big challenge for not only Coron Thread but also many types of manufacturers in Japan (including my family business). Although I don’t know what I could have done to preserve their legacy better, I know that the voices have to be heard to protect the Culture. Telling others misleading information to control the flow of profit can cause Cultural Appropriation. Here, the acknowledgement for the stories is the bridge between Appropriation to the Appreciation. Strictly & Ideally speaking, I believe they need to learn Japanese before they start sharing some of their understanding of Sashiko – however, the world isn’t made like this. In order to speak up globally, one has to be able to do so in proficient English.
Here I am – and I will not stop speaking up to not to repeat the same mistake.
It may be Just Thread – but it is Thread
Some say “Oh, Come one. Just thread. Don’t Over React”. I have been receiving comments like this to accuse my voice – to minimize the significance of the culture. It is just thread – but there are many people who devoted their lives in to “just thread”. Sashiko is “just stitching” , yet it is stitching that many of my family & friends have spent their entire lives on.
I believe it isn’t exaggerating to say that none of our Sashiko Pieces wouldn’t & won’t be made without the Thread I talk about here. Some may say it is just a thread – but it is the thread that consist of this Cultural Sustainability. By minimizing the significance of this Good Thread for Sashiko, we face to the risk of losing much more than thread.
Cultural Sustainability in Capitalism
I speak up the importance of Cultural Sustainability in contrast to Material Sustainability. Both Material & Cultural Sustainability can be established simultaneously. It is not one or another. We also have to understand that we live in a society where we cannot ignore Capitalism. For us, the money isn’t the goal to achieve. However, money is very important vehicle to achieve the goal of preserving the Sashiko Practice. Therefore, it is critical to balance the Cultural Sustainability & Capitalism.
Unfortunately, some (or many) Japanese Craftsmanship got lost in a process of sophistication of Capitalism. The market based on demand & supply will determine the future of its product, and the demand & supply will be hugely affected by “Pricing”. If I could produce cheaper threads, the market for the thread I offer may be bigger. If the market is bigger, we can probably produce cheaper threads. It is the spiral of “marketing”, and the craftsmanship need to have different approach to the market. Sashiko Thread we strongly recommend are relatively more expensive than others. I strongly believe the pricing is fair when we compare the quality and quantity of what we offer – however, I admit it is high-end of the Sashiko Thread. The quality of production determine the pricing. At the same time, the popularity of our threads will be a very big factor of the pricing – the more people enjoy the Sashiko Thread we recommend, the lower the pricing will be. The more we can manufacture the Sashiko Thread we recommend, the bigger market we can sustain by having distributors all over the world.
What we see now is the market after we failed. However, it doesn’t mean that I can give up so easily to ig nore someone overpainting our wisdom & tradition. Your choice will secure the Cultural Sustainability I speak up. I, Atsushi Futatsuya, never will use the Revenue/Profit/Sales for the unreasonable luxury items such as Lamborghini or Rolex. I am not questioning their value as luxury items, and I do have huge respect those who can afford them. However, my goal is always the preservation of Cultural Sustainability in Capitalism. Therefore, money is a vehicle to make Sashiko somewhat sustainable. All of the profit via our online store & payment to our workshop will be used for the Sashiko’s Sustainability. The purchase of Good Thread for Sashiko here will be the great support to make our dream happen.
*Please be noted that “All of the profit” indicate the profit after somewhat satisfying our daily needs. When I have reasonable bills to pay, I may clear them first. In order to achieve this goal, I may want to think of the possibility of establishing the Non-Profit Organization. Regardless, I just want to repeat my declaration that all I do is to preserve the Cultural Sustainability that has been severely damaged (or broken) already.
Good Thread for Sashiko Exists
We can find a variety of Sashiko thread available in the market. The seller describe their thread as the “Good Thread for Sashiko” to increase their sales. It is very natural things to do & that’s what I am doing. It is us (customer & stitcher) who decide what type of future (sustainability) we want to have. So, when you choose to purchase “it”, please be mindful whom you are purchasing from. Are they actually talking from their experience or just saying to increase the sales? Do they stitch Sashiko? Do they even like Sashiko or do they like “something” they can get by saying they like Sashiko?
It is sad that Coron Thread Manufacture.Inc doesn’t exist any longer. However, their wisdom and legacy are passed over to another well-established thread manufacture. The thread we carry under this category of our store are all from the new production line – either Synthetic Dye by machine or Natural Dye by Keiko’s Hand.
Your acknowledgement, choice, and time to enjoy Sashiko with our Threads are hugely appreciated. We will do our best to preserve this Cultural Sustainability. We won’t repeat the same sad news.
Order Hold Information 11/12 to 12/1
The order placed between 11/12/2024 to 11/30/2024 will be processed starting from 12/1 due to Atsushi’s Sashiko Japan Retreat. Thank you for your understanding. Detail is here.
