Thank you for reaching out to us for the information about Sashiko Workshop in 2019. To be honest, I wasn’t ready to receive so many inquiries about the Sashiko workshop. Although it is a pleasant reaction and really appreciate it, I would like to spend a bit more time in my creative activity (it is the whole reason that I am not offering the workshop more often). If you are interested in Sashiko Workshop, provided by Atsushi in NYC, NJ, PA area, please fulfill the google form below. We will inform you of the priority when we confirm the details. This is a notification about how to be in the priority mailing list for the Sashiko Workshop in NYC as well as the Sashiko Workshop Availability Update 2019.
*If you have received Atsushi’s reply saying you are going to be in the priority mailing list, there is no need to fulfill the google form. You will receive the email, once we confirm the date and time, by the order I have received the message.
As I mentioned above, the reason I am offering fewer workshops in 2019 is that we would like to focus on more creating activities to make more of our Sashiko items. As much as I would like to meet you in person sooner, we would like to respect ourselves as the “stitcher” instead of being “teacher.”
It requires a lot of preparation and administrative works to have a workshop in NYC. If you are willing to take the Sashiko workshop (privately or semi-privately) in the city where Atsushi lives, the workshops are available throughout the year, mainly on weekdays from 9 am to 4 pm. The price of workshops depends on the numbers of participants we would have, but we will do our best to advertise so we can offer the lower price. For the pricing benchmark, if you are a group of 3~4, then the pricing will be the same as the one in NYC. Please contact Atsushi with the specific preferences if you are interested in visiting Atsushi in person.
Or, you may simply consider inviting Atsushi to your group. For 2019 and 2020, the weekend schedule is pretty packed and I cannot promise anything, but I am happy to see what we can do if you are willing to have me as the guest lecturer. Please check the conditions and terms for the private workshop managed by you.
Alternatively, I now recommend the Online Sashiko Class, which I started offering in March 2019. I was nervous if I could deliver the same experience over the Internet. However, the feedback from some of the participants is encouraging me to say, “it is as good as the in-person” workshop.
Although it is online class, I have a limit number of participants for the specific time period so I can sufficiently support the learning process. Please read the article carefully and sign up through the google form and/or the registration page.
A review from one participant. I also enjoy it too.
So, Sashiko Workshop Availability Update 2019
I look forward to meeting you & sharing the Sashiko we love, in any way of meeting either Online or in person, in 2019 or even after that. Enjoy Sashiko!
We appreciate the interest in our Sashiko Workshop opportunity in Japan. As of 2019, we only offer the Sashiko/Boro Workshop in Japan for those who completed Atsushi’s Sashiko Workshop (In-person or Online). If you are able to speak/understand the Japanese fluently, please check Keiko’s Japanese website for more details.
If you would like to have a privately arranged workshop in Japan while your trip to Japan, please check the below and follow the procedure, after taking the Atsushi’s Sashiko Workshop.
Keiko lives in Takayama city, Gifu Prefecture. Her schedule is usually tight, but we will do our best to arrange the workshop when the condition meets.
We had offered several “Boro Making” Workshops in Japan. Before we developed the Online Sashiko Class, we did our best to communicate the basic & core of Sashiko by using the translating App. Since we are now ready with the Online Sashiko Class, we would like you to take this workshop first, then plan the workshop in Japan.
We are a group of a mother (Keiko in Japan) and son (Atsushi in the USA). Keiko is a genius artist but not a good teacher. In order to share the Sashiko we are enjoying, it is necessary for you to go through the basic & core of Sashiko.
In other words, if you have taken the workshop with Atsushi, please feel free to contact me for arranging the possible (Boro-making) workshop in Japan.
As one of the frequently asked questions regarding the Sashiko Workshop in Japan, I am often asked if I have any recommendations for Sashiko.
As you may have learned throughout this website & Youtube, Sashiko was a form of hand-stitching developed in each household, each region, and in each community. Therefore, regardless of the numbers of great looking Sashiko groups in many places in Japan, I cannot make the recommendation to represent the Sashiko we practice. There are many ramifications in Sashiko, and we are merely one of the branches.
Please be advised that I will not provide the recommendation for the Sashiko Workshop in Japan.
Atsushi’s Friends (students) may be available
Alternatively, I have (and can ask to) my friends who took my Sashiko Class & experienced in Sashiko to offer you the workshop. As of Spring 2019, the workshop “may” be available in cities below.
Sapporo – Hokkaido
This is a list of my friends offering the workshop with my “kind of” supervision. They do not speak English, so you may need to prepare the translator on your side.
Not a “Flash Experience” of Sashiko
We understand that the “need” is the Sashiko experience available in Japan. However, I would like to make sure that we can deliver the “rich experience of Sashiko” instead of “A flash & temporary experience” with Sashiko.
Once you take our workshops, we promise you will be part of our activities and will open our door to your requests. We sincerely hope to meet you there.
Every time I meet new people, I am surprised how much others appreciate what I do – Sashiko. Some respect us for the Sashiko technique we have. The other thank us for sharing the Sashiko we practice. I am sincerely flattered with these comments. Thank you very much. However, at the same time, I feel I am just a man who happens to be good at Sashiko.
Once a curse, now a privilege
I am privileged to be able to Sashiko stitching because of the family I was born in. To be honest, though, I had thought of this privilege as the curse for a long time. It wasn’t the best family (in fact, it was kind of tragic family like in a novel), and I would dare not to do the same to my child. It was difficult. I still am in suffering for that matter (in recovery, I hope).
However, as a result, I am good at it. At least, I am good enough to teach and impress others. I (somewhat – because my wife is the main one to support our family) support myself by doing Sashiko. So, I am thankful for those days.
You may realize. There are many other great Sashiko artisans besides me. Keiko is a great artist, but there are many others who are very skilled in Sashiko stitching. What we are special in Sashiko is that “we were surrounded by Sashiko and kept looking at them every single day”. Sashiko stitching is as natural as natural languages. Sashiko stitches can tell us the story, and we try to tell our stories to the others by our stitching.
Being good at Sashiko
Sashiko is a simple form of hand stitching to appreciate the fabric. We have many techniques to make Sashiko stitching beautiful. However, what I would like to share is more than the technique. By sharing the technique throughout the workshops (In-person & Online), I would like to pass down the mindset the Japanese Sashiko stitchers would have had many years ago.
In short, I don’t want to be full of myself only because I am good at Sashiko (I don’t want to see myself being “cocky”). Because of the worldwide popularity in Sashiko, many people find us someone special. I am perfectly fine with someone defining us in their own way. We are happy when someone gave us the title. You, the reader of this article, also have your own image to us, I believe. How do you define us?
(Fine/Folk) Artist?
(Slow) Fashion Designer?
Masters in Sashiko?
Teachers of Sashiko?
Ecologist / Activist?
One day, I may be several of these above. However, we neither have the skill to be a fashion designer nor the knowledge to be the activist. So, again, I feel we are a group of “mother and son” who happen to be able to make great Sashiko stitching. Therefore, we offer only a few kinds of the workshop to share the “core” of Sashiko. We don’t have enough skill to expand the workshops.
Before being any kinds of a master like above, the first path I (Atsushi) would like to walk forward is the “storyteller” with Sashiko and other Japanese interesting mindsets. I believe we as the Japanese have many concepts in which we do not well verbalize in other languages (for that matter, even in Japanese). I would like to pursue the journey to share how beautiful (Love & Hate) culture from the Japanese people.
So, please share your questions about Sashiko & related stories. I am happy to make a research on.
*For the technical questions about Sashiko, please consider taking the workshop (in person / online). I am happy to answer & follow-up any kinds of questions there. I wish I could do it to everyone. However, I found myself so exhausted in answering the random questions. I would like to support the one who also supports me. I really appreciate your understanding. After all, we are a group of 2, mother and son, so we have very limited capacity. On Youtube, I provide a lot of technical tutorials too. You may search for the videos you would like there before joining the full-supported workshops.
Instagram Post that generates this post
Here is my writing when I had “Aha-moment” after suffering from trying to be “someone” who the other expect me to be. Again, I am merely a man who is good at
Sashiko. I may be someone in the future, but for now, I am pretty happy with what I am capable of.
Sometimes people tell me “I do not understand you…I feel you are different” after many conversations & good communication. I believe I am pretty consistent with what I do. So, when these unfortunate events happen, I tell myself that the people’s perception can change and we just have a different path now. However, of course, I reflect myself if I did something wrong.
I blamed myself when they happened. This morning, I just had a moment of Ah-Hah. To explain, here are questions for you. “What is your standing point when you look at Sashiko?” and “What do you expect me to share?”
Are you an Artist? Hand-Craft Artisan? Designer? Fashion Leader? Slow-Life activist? Ecologist? Minimalist? Do you want me to tell stories about Zen? Mindfulness? Stitching Technique? Boro? Japanese Culture?
I am merely a man who happened to be good at the Sashiko because of the environment (once a curse, now privilege). Please do not expect me to be someone you want me to be. I am learning how to look at the Sashiko from all of the standing points you may have. In short, I am not an artist or designer (yet). If you see me the “artist”, of course, you would feel different the more we spend the time together.
I would like to be the one who can advocate the beauty of “caring” days with energy from hands. I have a lot more to share, but that is the unfortunate misunderstanding of who I am and what people expect me to be. I enjoy the design of Sashiko, but I do not intend to do something with the design. I would like to pass down the beautiful mindset of Japanese throughout Sashiko, kind of a Sashiko evangelist (with no Christianity concept). I strongly believe we can make our life a bit better by “focusing on what hands can do”.
It is my goal to share the information from all the standing points you may have. Yes, I would love to be the fashion activist with Sashiko mindset, yet I have no skill or knowledge about it. I understand what I am saying is very “idealistic” in this society. Therefore, I think the careful explanation would be good to keep sharing.
I summarized the wisdom of “Sashiko Overlay stitching (not making knots in Sashiko)” in the previous blog post. I tried my best, but I felt that the writing wasn’t good enough to share the whole picture I wanted to express. So I made a follow-up video about Sashiko Boro Knots and much more & its transcript.
Sashiko Boro Knots are on the same page
We tend to fantasize the words, especially when it is not in our language, but Sashiko Boro Knots are on the same page & category. They are all on the one line of “how to appreciate the fabric and care for the others”.
Thank you for watching our Sashi.Co videos. This is Atsushi.
Today, I would like to talk about a topic of, “Do we make a knot in Sashiko stitching?” from a cultural perspective. I was raised in an environment that every artisan usually did not use knots in the beginning and ending of Sashiko stitching. Therefore, it wasn’t even a question for me to explain if we use knots or not. I hope I can share the reasons why we do overlay stitching instead of making knots. It is wisdom in Sashiko.
Do you see that the little thread tale there? That is the point we stop the thread by doing overlay stitching. We could have cut the thread tale completely off to make the backside of this piece as the finished side. And, yes, it is the backside, wrong side, or hiding side of the Sashiko stitching.
The side you are looking at now is the front side or finished side of this Sashiko project. And then, we flip the fabric, and it is the backside of the Sashiko project. The goal of the wisdom in not making knots is to finish both sides of the fabric as beautiful as the finished side.
At some point in the history, in some rural village in Japan, they didn’t have enough fabric to use for lining. Therefore, they needed to use the single layer fabric as the “finished” piece. It is wisdom & technique to maximize the fabric by Sashiko.
For the technique of “Sashiko with not making knots”, please check another video in this Sashi.Co Channel. I have explained how to do overlay stitching there.
How about Boro and knots in stitching.
It is case by case and hugely depends on your preference. Therefore, I would need to explain it by using several examples such as Boro-inspired, and Boro to piece, and Boro we revived over time.
Boro-Inspired Piece.
The fabric on the screen is the finished side of Boro-Inspired piece we made. We find the vintage Japanese fabric with severe damage, and patch them to make the fabric look like Boro. This piece requires many spot mending with “flayed fabric”, so we needed to use the knots to keep the fabric secure. Please confirm that the knots are relatively big in comparison to the other sewing projects. It is because the vintage fabric is so fragile that the small & tight knots could damage the fabric instead of holding it together even if we use the Sashiko thread we recommend. It is kind of the part where “art” kicks in to make Boro-inspired fabric with using the appropriate fabric with the appropriate knots, as knots as the part of Boro.
Boro to be fabric.
The fabric on the screen now is so-called “Boro to be fabric” that we have been working on. When we get a good vintage fabric with good condition, we enjoy patchworking them with thinking to make it Boro in the future by using it in our ordinary life. I started working on this fabric in 2018, so it is a pretty new piece. I try to avoid knots as much as possible. It is my preference that I would like to have the softness of overlay stitches. The fabric isn’t frayed or severely damaged so I can secure the stitches with just overlay stitching and our Sashiko thread. Please understand that I am not saying, “I never use knots”. There are some parts that I use knots in this project as well. This is an example of Boro to be fabric with as fewer knots as I can.
Boro we revived.
The last piece I introduce is the Boro we revived. I think there are many ways to define the Boro. One definition we have is that the Boro is the piece of fabric after so many usages and continuous repair. The fabric on the screen is one example we followed this “using” and “repairing” process. It looked like the Boro to be fabric at the beginning of the project, and over time, we kept practicing Sashiko on it. This fabric needed to use the knots to repair, and also we kept stitching with overlay stitching. You can see both of them in the piece.
I hope this video explains that there is no such thing as the “definitive answer” to the question for Sashiko stitching knots or not. After all, it is all about the preference, and you can do what you would like to do. As a Sashiko artisan who was raised in the Sashiko environment, I just wanted to share that there is more than “technique” in these topics.
It is one of the frequently asked questions regarding the Sashiko we practice; Sashiko without making knots. We usually (traditionally) do not make knots in stitching. then how do we secure the stitching in the beginning and ending?
I have explained about the technique of “Sashiko without making knots” here. So I will not mention the topic of “Sashiko without making knots” from the technical perspective. Instead, I would like to share “the resons of why” we practice the Sashiko without Making knots.
The technical explanation how to NOT to make knots in Sashiko.
Being proud of our artisanship & aesthetics
As you may have learned already (as I kept mentioning all the time), Sashiko was developed as the process of appreciating the fabric. The “appreciation” include the mending and strengthening the fabric. In the rural village where people needed to do Sashiko, adding the back fabric (lining) on top of the “wrong side = hiding side = back side” of the fabric was kind of too luxury to do. In short, the Japanese did Sashiko stitching because they couldn’t get the extra fabric. For this reasons, we respect the original form of Sashiko stitching by using the single layer fabric without hiding the backside of fabric we stitch on (We practice Sashiko stitching by looking at the backside of fabric).
When we work on a project with the purpose of making both sides as the finished side, the knot can be a bit of obstacles. Personally, I feel the knots bother the rhythm and evenness of Sashiko stitching. In other words, I feel like the knots interrupt a good dialogue between thread and fabric.
So, the first reason we try to avoid knots is merely to satisfy our standard. We simply prefer the way it looks without the knots.
Photos of Sashiko without making knots
I hope you “do not” see the difference between the backside of the Sashiko item below. It is our goal to finish the both side, front (finished) side and back (hiding) side as beautifully & equal as possible.
How about knots in Boro?
We also try to avoid making knots in a process of Boro making as much as we can. However, depends on the project, making knots will be the only method to keep the fabric on.
When we have a chance to do Sashiko stitching with an intention to make it Boro like with fairly good strong fabric, we try to do backstitching more often, then hide the thread tales under the fabric. In order to make a Boro-looking piece, we need layers of fabric, so it isn’t that difficult to hide the thread tale. A bit of thread tale helps to avoid the unfortunate event of thread coming off.
I hope you aren’t confused about the technique. It is all about preference & availability. We are making Boro after all. Making Boro (& enjoying Boro) means that the fabric may require the continuous mending & stitching. So a bit of thread coming off isn’t a problem at all.
ersonally speaking, I prefer the smoothness of Boro rather than having the knots. So we try to avoid them when we have a choice.
Again, In order to “patch” or “stick” the completely shattered fabric on the other Boro piece, we do use knots. Please understand that it is not a rule, it is merely a choice based on the preference.
The possible problem with Knots
Let me share some of the possible problem with knots in enjoying Sashiko. Although I strongly believe “You can do what you want (preference)” for this issue, I would like to share some of the possible concerns from our experience.
A: Fabric can shrink and stretch
The purpose of Sashiko thread is different from the other sewing thread: to be the part of fabric over time. Over time, many washing and wearing, the fabric can shrink and stretch. When we make knots at both edges of the thread, it doesn’t allow to wiggle in a process of stretching and shrinking (I believe). It is very insignificant, but I feel the “harmony” of the fabric & threads can be better when the thread can move in the fabric a bit.
Back stitching (overlay stitching) secure the stitching by the unique twists. It is more like letting the threads entangled naturally rather than making a knot artificially. So I prefer not to make knots when I work on Sashiko.
B: Thread is stronger than fabric. The knot is much more strong than thread.
Another problem is that the thread is made from cotton, and the new cotton can be pretty strong in comparison to the vintage fabric (even it is 100% cotton). The knot can end up with making a hole or damaging the fabric, so be attentive when you work on Boro & knots.
B: Too much time to make knots.
This may sounds kind of crazy, but this is a significant issue for me. It is much time-efficient to NOT to make knots.
Sashiko for the ordinary days
Sashiko was developed as the stitching method to fulfill the ordinary needs of the fabric in the Japanese ordinary life. Therefore, we believe there is no rule and restriction. It is sincerely up to you to decide either you want to make the knots or not. However, if you do not know how to do it, I recommend trying it. I prefer not making knots over the experience I have in making the knots.
When do we make knots, then?
Regardless of this blog contents, there are occasions for me to apply the knots in our Sashiko projects. Here are a few occasions I can think of.
When the pattern requires knots for decorative purposes. For example, in the center of flower design, we may want to have bigger dots than the stitches. In that case, we make knots.
When the patches require a strong connection to the patch. For example, when I need to patch the denim, I occasionally use knots to make sure it is secured. The denim is stronger than the cotton thread.
When we work on the “Boro-looking” fabric for the purpose of making like a Boro. We attentively use the severly damaged fabric to be patched on. It requires knots to patch.
I have asked around my friends and teachers if they make knots or not. All of them answered, “Usually no”. So for us, not making a knot is pretty normal idea of enjoying Sashiko. In short, it was my understanding that the Sashiko requires overlay stitches until I move to the U.S. so I didn’t think of explaining it with so much details.
It is very important to verbalize the culture to share. At the same time, we all know that the words cannot express everything in it. I hope, one day, I can meet you in person and share the items I took photos with. When you touch and feel the actual item, you will understand much deeper what I am talking about.
I appreciate questions & opportunities to share the culture & its development.
The Sashiko threads dyed by Keiko with Natural Dyes are one of our popular supply. We proudly offer the Indigo Dye Sashiko Thread 2019, with a bit of change in numbering, due to the more variation in our dye batches. I hope you can find the one you like the most.
We decided to offer 4 types of choice in offering our Indigo Dye Sashiko Thread 2019, with Murazome (Variegated and Uneven).
“Variegated” means the strong color changes in one skein. “Uneven” means that the thread skein will the continuous color yet not-even colors like the other “Solid” Color.
Every batch has a bit of different shade, dark and light, for the uneven and variegated colors. It was a lot of challenge (and a lot of errors) to making 3 shades, Dark, Medium, and Light, so we decided to continue making the “medium” only. However, depends on the batch, we get the darker version and light version. We tend to have the darker shade more for now.
Please find the choices below, and let me know your preference, either Darker or Light color, in the comment section in the check out process.
Choice of Indigo Dye Sashiko Thread 2019
M0-(19) – Variegated (Strong change in color) Blue
M1-(19) – Variegated (strong change in color) Green
As I mentioned above, if you have a preference in the darkness/lightness of shade, please let me know your preference in the comment section in check-out process. We do not have the light shade of Green (Previous M3L). Most of the uneven green look like between M3 and M3D. I will choose the best matching color from the limited inventory we have.
Please understand that the color is made by hand-dye with natural ingredient. The color is a product of various factors, and we cannot promise the color on the product page. I will, of course, try my best to get you the best one.
*The demand for the Indigo Dye Sashiko thread is increasing in Japan, and therefore Upcycle Stitches do not carry much inventory as 2018. I will keep updating when we restock the thread. Thank you for your understanding.
Material : Egyptian Cotton 100%, Natural Indigo (Product of India), Solution for Dye
Length : About 145 meter per skein
Weight : About 28 g
Indigo Dye Sashiko Thread 2019 Green
Indigo Dye Sashiko Thread 2019 All on Tatami for Color comparison
Indigo Dye Sashiko Thread 2019 All
Indigo Dye Sashiko Thread 2019 Blue
The Archive of Sold-Out Indigo Dye Sashiko Thread.
We had a great collection for the Indigo Dye Sashiko Thread for 2019. Please find the archive below so you could use it for the Indigo Dye Sashiko Thread 2019.
[Announcement]
The batch from 2018 is sold out. Thank you.
We are in preparation to offer the batch done in February in 2019. Please wait for the update.
Interestingly, the most popular thread was the shade we got by accident: the uneven green color. We spend more than a year to analyze why it happened, and how we can recreate the similar color. Finally, we now can offer the Murazome (uneven dyed) Sashiko Thread with Natural Indigo Dye.
For the administration purpose, we put the numbers on each shade.
However, because of its character “uneven” and “variegated”, every skein is different. All of them are one-of-a-kind thread. Please understand that I will not be able to send the exact same one on the photo.
In August 2018, we decided to spread the range of color, from Light to Dark.
Regardless, please understand that the color will not be identical to the one on the photo. We will do our best to match the color you order.
Selection of Murazome Sashiko Thread
2018 Spring
M1: Variegated Green | very low in stock. May be shipped from Japan.
M2: Uneven Blue
M3: Uneven Green
2018 Summer
M1D: Variegated Green Dark _ Temporary out of stock in the USA (May be shipped from Japan).
M2L: Uneven Blue Light
M3L: Uneven Green Light _ Temporary out of stock in the USA (May be shipped from Japan).
M3D: Uneven Green Dark
*We have very limited amount of inventory. In case of short in inventory, the product may be shipped from Japan without extra shipping charge. Therefore It will take extra days to deliver. We may ask you to wait for a month to restock the item. Your understanding is very appreciated that the item is all hand-dyed with Natural ingredient.
*Please understand that the skein have slightly different color. The photo is our best effort to put the numbers on. If you have any preferences, please let us know by commenting in a process of checking out. We will do our best to meet your preferences.
Product Information
Made in Japan
Material : Egyptian Cotton 100%, Natural Indigo (Product of India), Solution for Dye
Length : About 145 meter per skein
Weight : About 28 g
*This page is for Indigo Dye Sashiko Thread with Uneven Color*Specifically Designed for Sashiko purpose.
In the Sashiko we practice, we sometimes use the both side of fabric as the finished side (both sides finished beautifully as a single layer). In order to make it happen, Sashiko Itokiri (糸切り) is an important process of cleaning the thread leftover by clipping them.
Please find the script for Sashiko Itokiri video below just in case you have hard time understanding my English. Enjoy Sashiko!
Hello.
Thank you for watching Sashi.Co Channel.This is Atsushi.
In this video, I am going to talk about a process of cleaning the thread leftover after completing the Sashiko stitching, so called “Itokiri” in Japanese.
As you may have learned already, the Sashiko we practice originally use the both side of fabric as the finished side. Therefore, we do not make knots to secure the stitching. Instead of the knots, we make overlay stitching. For more information of this topic, Please check another video titled “How to not to make a knot in Sashiko”.
After completing the Sashiko stitching, we end up with having a lot of thread tales on the back side of fabric. To complete the project, we clean the side by cutting the thread leftover, and it is called “Itokiri”. You may cut anywhere you made overlay stitches. Do not cut the tale or loop if no overlay stitches are made.
In order to do a good Itokiri process, a grip scissor is the must have item.
I made another video explaining how to use the grip scissors. Please find the video for more information.
Here, a quick review of what is a grip scissor and how to use them.
When we clip the thread, we use the tip of blades instead of the middle (or body) of the blades. By gripping the scissors, I feel as if the tip of blades become my finger tips. I sometime wish that I could just pinch and clip the thread leftover with my nails. The grip scissors are a good substitute to having the super sharp knife like nails.
Since the grip scissors do not require a process of opening the blades, we can keep cutting the thread in a reasonable speed. When a master working on a plain fabric, the speed of Itokiri can be something fun to watch by itself.
That’s pretty much about Itokiri.
Another enjoyable part of Itokiri is the sounds of clipping the thread & moving the blades. I needed to mute the sound because I kept talking in Japanese when I was filming this, but you can watch the unedited version, the archive of this live streaming (3/26 Insta Live.)
We have grip scissors selection from a long-established Japanese scissors maker, Misuzu. Everything is made in Japan by the professionals. Although we have the entry model (less than $15.00), I strongly recommend getting the better one, possible the one more than $25.00, if not around $20.00. The difference in using (experience) is not subtle.
A good needle for Sashiko can make a significant difference in Sashiko stitching. One of the factors we need to be attentive is the size of Sashiko Needle Eye. There is a reason why we use only 2 kinds of needles (Both the same length, a slightly different Sashiko Needle Eye size, and from different manufacture). Even for a minor topic like this, Sashiko Needle Eye, we have a lot to share. Apart from sewing, participating in other activities such as playing 벳엔드 can present an exhilarating and pleasurable pastime, creating an energetic counterbalance to the calmness of needlework. This injects excitement and amusement into free time, broadening the range of recreational pursuits.
I received an honest feedback from a customer:
“I expected the ‘big eye’ needle to have a larger eye than the first ones I ordered, so I am disappointed with those”
I feel sorry when I hear that the customer experience the disappointment. For this case, it happened because I didn’t explain (or clarify) well enough on the product page the reason why we have the needle with the small eye.
Sashiko Needle to do Sashiko
The fundamental purpose of Sashiko is(was) to repair, mend, and strengthening the fabric. Over time, the Japanese enjoyed Sashiko for the decorative purpose, but they also practiced Sashiko for the purpose of making the fabric “better” – thicker, warmer, and stronger.
A needle with a large eye will reduce the stress of threading the needle. However, the bigger the size of thread is, the more risk we have in damaging the fabric. The impact to the fabric may be insignificant for a few times, but over time, Sashiko could damage the fabric instead of making it better. It may not be significant when we work on the strong fabric, like the new fabric. However, when we work on the vintage fabric, the size of Sashiko Needle Eye can be critical.
Therefore, the Sashiko Needle eye has to be as similar thickness as possible to the body, as straight as possible from the tip to the end.
To ordinary for me to explain.
Since we have been using the Sashiko needle for more than a couple of decades, we don’t have much trouble of threading the needle. It was too ordinary for me to mention about the necessity of the size of Sashiko needle eye until I get the feedback. When I wrote the article about the Sashiko needle we use, I didn’t emphasis enough to educate our customers (I mentioned about the importance of the Sashiko needle eye, of course.)
We recommend two very similar Sashiko needle from 2 different manufactures. One is offered from Sashi.Co & Keiko Futatsuya, and another is from Tulip Needle. Both of them are in super high quality. I don’t think I can do Sashiko with other needles. Although the both Sashiko needle eye are small in comparison to the other needle in the market, the majority of Sashiko thread (All of the Sashiko thread we offer) can be threaded smoothly. It may require some experience and technique, but it is doable. I mean, I thread the needle every day & in every live streaming, so you can do it.
*It is perfectly fine to use a threader, of course.
The Sashiko needle Atsushi uses
I personally prefer this needle. So, when you see the needle on my Live streaming or other video on Youtube, this is the needle on the picture.
A super sharp needle tip with the flexible body with 51.5 mm length is the must-have item for our Sashiko projects.
Big Eye Straight from Tulip Needle
Another great, supreme quality needle is manufactured by the long-established needle company, called Tulip. To serve the purpose of “the Sashiko needle eye as the similar thickness as the needle body”, this is the best needle.
Although it says “Big Eye”, the difference of the Sashiko Needle Eye between these 2 kinds are very insignificant. This is because we needed to keep the needle size as 51.5 mm as well as as similar thickness as through the main to the end of the needle.
I imagine, the Tulip company named the needle, “Big Eye Straight” in comparison to the other needle they manufacture. This is a part of explanation I didn’t clarify enough. It is not “Big Eye” in comparison among our product selection.
No needle is wrong
Above said, you can use any needle you prefer. We just use the needle we enjoy the most & for the best possible outcome.
We have a good proverb for a master and his tool.
弘法は筆を選ばない | Kobo ha Fude wo Erabanai = A good workman does not blame his tools. It is true statement, but if a good workman has a choise of getting his favorite tool, I believe he would choose the one he enjoy the most.
What we share is merely our preference & selection based on our experience & wisdom. Please do not take as a “rule” or something you need to follow enjoy Sashiko.
However… a good needle will change your Sashiko experience, and you may never return to the other needles for your Sashiko project… Enjoy Sashiko!
I am happy to announce that we finalize the Sashiko Stitching Workshop (Core & Basic) opportunity in this coming Spring. Sashiko Workshop April 2019, in NYC TriBeCa Neighborhood, is coming available. In comparison to 2018, we will offer less in-person Sashiko workshops in 2019. We have only 10 seats left (as of March 25th) for the Sashiko Workshop April 2019.
It would be great to meet you there in Spring.
In-person | Meet Atsushi and learn from.
The workshop I offer in the weekend of April 13th and 14th is Sashiko Stitching Workshop (Core & Basic), which I request everyone to go through before any of my offers including the other Sashiko Workshops & Online subscriptions.
Although we started offering the Online Sashiko Class, I still believe the best way to deliver our experience & technique is to have the time together in person. If you live nearby NYC where you may be able to make a small trip, please consider taking this workshop. I had offered more than 20 workshops in 2017 & 2018, and I am confident that I can deliver the “eye-opening” experience in the Sashiko we practice.
Please check the articles below to understand why I keep offering the Sashiko Stitching workshop to share the Sashiko we practice.
We plan to offer 3 time-slots for the same Sashiko Stitching Workshop (Core & Basic). The exact location will be notified to the participants after the registration.
We try our best to keep the workshop size as small as possible so that everyone will get enough time to talk to Atsushi & reviewed by Atsushi. Everyone has each habit in stitching. Therefore, the personal attention in the in-person workshop is necessary to share the new “muscle memory” to maximize the following Sashiko experience.
Availability of Sashiko Workshop April 2019
April 13th, Saturday, 10 am to around 1:15 pm for 3 hours + α | SOLD OUT. Thank you.
or
April 13th, Saturday, 2:30 pm to around 5:45 pm for 3 hours + α | ◎
or
April 14th, Sunday, 2 pm to around 5:15 pm for 3 hours + α | ◎
☆= 1 seat left
★= 2 seats left
◎= Still available
*Please be advised that the price for the Sashiko Stitching Workshop (Core & Basic) may be increased soon due to the increase of the Location Fee. Thanks to the patron in NYC, we had been offering a reasonable workshop fee in Manhattan. Because of the policy change, we will probably need to increase the fee in the future. For the support we have been receiving, please check the article below.
This is follow-up information for the former participants of Sashiko Stitching Workshop (Core and Basic) provided by Atsushi. If you receive the information about Online Sashiko Class and would like to participates after taking one of Atsushi’s Workshops in NYC (more than 3 hours length workshop), please check this page. For others, in order to fully enjoy the continuous Sashiko learning opportunity, please consider taking one of our Sashiko Stitching Workshop to fulfill the requirement.
In order to fully enjoy the continuous Sashiko learning opportunity, please consider taking one of our Sashiko Stitching Workshop to fulfill the requirement.
We have started sharing the culture & technique of the Sashiko we practice in 2017 in Sashiko workshop & class. Ever since, my goal is the same, to share the enjoyment of Sashiko. In order to achieve it, offering the continuous Sashiko Learning Opportunity was one of the must contents I wanted to come up with – like subscription kit.
I prioritized The Online Sashiko Class because the subscription ideas & the continuous Sashiko Learning opportunity requires the prerequisite. I want everyone to understand the core & basic of Sashiko when they take the subscription to continuously offer the free support in Sashiko technique for those who took the Sashiko Stitching Workshop (Core & Basic). I wanted to be fair for those who do not live in the East Coast of the USA. After the online Sashiko Class, I can offer the fair opportunity for everyone.
Please understand any offering in this article have the prerequisite. This is the opportunity for those who took Atsushi’s Sashiko Stitching Workshop (Core & Basic), which is at least 3 hours in either PA, NJ, NY or any other location or Online (either Live-style or On-demand.) Please register with the email address you have used to take the Sashiko Stitching Workshop.
Online Sashiko Class for former students.
Starting March 2019, I offer the Online Sashiko Class with On-Demand videos that the participants can watch anytime anywhere to learn Sashiko, with following the live-session to check what they learned.
The contents I cover in the Online Sashiko Class is very similar to what you have learned in the Sashiko Stitching Workshop (in NYC or in Livestitching). Therefore, I feel uneasy asking for the full price (even after the discount). Since you already have learned the technique and culture, assuming you do not need much support, I decided to offer “A year access to the On-Demand” Videos for a lot small amount of the fee when you agree to give me some feedback.
*Price is subject to change. Until I make a shopping page, please contact me directly to get access & support.
Access License to the Video (Yearly): $25.00
Materials for the Online Sashiko Class: $60.00
Online Live-Session Ticket (30 min to 120 min): $25.00
*Prices are the subject to change.
Sashiko Subscription Kit
This is another big resolution for the year of 2019: Sashiko subscription Package.
Atsushi will send a good weekend project amount of Sashiko every month. The follow-up videos will be available for the subscriber. In order to learn the technique and wisdom throughout, we strongly recommend taking in order of we assign.
Here is some example of Subscription Kit that I am thinking of. The pricing will be somewhere $30.00 ~$75.00 per month depends on the materials I would need to send. I will make like a year-round package as well.
“Japanese Geometric Pattern Package
Full Subscription (6 month amount):
Part of Subscription (3 month amount):
Contents: The package will have one Sashiko thread and a piece of fabric, and necessary tool to learn how to complete the subscription.
Shippou – the Curve (Preparing) :
Hishi Seigaiha – the Jump (Preparing) :
“Applying Sashiko” Package (Preparing)
Draw on your denim (Preparing)
Patch the damage with Sashiko (Preparing
Boro-inspired patchwork (Preparing)
Please wait for another update for the Sashiko Subscription Kit. Your request and preference would be awesome to develop the subscription program.
