Author: atsushijp

I have been stitching a lot recently. I mean, as a Sashiko Artist, it is natural for me to touch the Needle every day… but recently, I am prioritizing stitching more than “sharing Sashiko Stories”. As my goal is to “Share” the Sashiko we practice, it is kind of strange for me to feel the shift in my choices.
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To be honest, I may be turning away from reality. Without the “Real Ordinary”, the Sashiko doesn’t exist – at the same time, Sashiko can be a way to protect oneself like a shell. All I wish (hope) is that this society would be the place for the Artists/Artisans to be able to focus on their “creation” instead of “protecting their own identities”. I guess, after all, I wish I would be able to focus on just stitching instead of sharing stories. However, unfortunately, someone is changing something for their “profit/convenience” without stitching. That is not fair… but there is no choice for me but keep speaking up.
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The truth of Sashiko exists in stitching. I hope you follow the so-called “Sashiko Masters” who actually stitch. Please be a smart “follower”, and then please lead others for the reasonable reality.
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ここの所、気がついたら針を持っています。刺し子が好きになったのは自覚していたけれど、これほどまでに無意識で針を持つような時間を過ごすのは、正直初めてです。刺し子が日常になった…という前向きな見方もできるのですが、同時に「刺し子に（無意識に）逃げている」のだろうなとも思うのです。逃げ込める場所であることが刺し子の良い所の一つでもあるでしょうし。
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高校卒業して、アメリカの大学に留学して、新卒で一部上場の大企業に入り…という日々を振り返ると、なんだかんだで「戦略」が存在した20年でした。大学を意識した17才からの20年は、「賢く生きるか」が常に頭のどこかにあったんだろうと思います。ただ、ここ最近の私の考え方は少しずれてきていて、頭の中で考える「戦略」なんかよりも、実際に手を動かして感じる「現実」の方に、求めている本質があるんだろうなと思うのです。もちろん、価値観や優先順位は人それぞれですが、もう「必死」に我武者羅に足掻いているのが今なんだろうなと。
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頭で考えれば考える程、戦略を意識すればするほど、今の私の活動は「意味のないこと」に収束します。端的に言うと、昔の私の言葉で言うと、「全然賢くないこと」をしようとしています。「お前アホか？」と自分にツッコミを入れてしまいそうな程に。それでも、どれだけ長い道のりでも、一応の到達点が見えている限りは前に進み続けようと思うのですよ。たかが刺し子です。でも、そこに人生を捧げた人がいるんです。後から振り返って「楽しかった」と思える刺し子の日々をこれからも続けていきたいなと。
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#Sashiko #刺し子 #日本人の刺し子


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I sometimes wonder what would be like if I didn’t decide to study in the US. If I weren’t proficient in English, all of my Sashiko Stories here wouldn’t be delivered to you. I occasionally wonder what if we didn’t have the Internet. I don’t have any agents/publishers/spokesperson who can represent me. So, what I write/say here is what exactly comes from my brain through my own hands/voice. When I was a child, I didn’t know Sashiko would be this popular – so everything I experience now is a matter of coincidence. I imagine how sad it is to lose the Sashiko I talk about here because of lack of “coincidence” – I was lucky. At the same time, there are cultures we lost due to the exact same reasons: Language & Publicity.
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Majority of Sashiko Teachers in English are non-Japanese. At the same time, “Being Japanese” itself isn’t the qualification of being “a Good Sashiko Teacher”. It is a matter of “attitude” toward teaching and its responsibility. I wish I had another teacher who has been practicing Sashiko for a long time, who happened to be proficient in English. There are (and there will be) many more Japanese with English (non-Japanese) proficiency who happen to find Sashiko as their teaching materials. They probably move on when Sashiko isn’t no longer a trend. So are the other non-Japanese Sashiko Teachers. I sometimes feel I am alone in sharing the Sashiko Story – although there are a lot more like me in different fields & culture.
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I say, “Copy it. Please Copy It seriously if you were to copy it”, as a reaction to so much simplification & commercialization of Sashiko. Yet, soon, I feel that we will lose “upstreams” because there are so many who do not even list where they learned from. The culture only exists in a flow, and we cannot forget it “comes from” somewhere, someone who was very serious in one practice.
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Live Streaming Tonight (11/9)
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少々お時間を頂きました。少し考えに耽っていました。特に何があったと言う訳でもないのですが、冬に向かう空気だからでしょうか、刺し子と向かい合っていました。「淳」。あつしと読んで私の名です。「すなお」と入力しても同じ漢字が出ます。もう少し、ドロドロとしたものも吐き出してもいいのかなぁと思ったり。今週も配信で刺し子についてお話ししていきます。
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#Sashiko #刺し子 #日本人の刺し子


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“Sustainability”, “Mindfulness”, “Uycycle”, and “Attentive to Details (Slow)”… we use these words as something new to improve our lives in 2023. As far as I know, in Japan, these words were part of their “ordinary”. These words weren’t something to achieve. They were there already, and we unfortunately forgot (or are forgetting) them by adapting something else. The reason I speak up about Sashiko in English is to keep what we already have/had – from being changed for something “convenient” for people who do not even care for the culture itself.
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One “Fast-Fashion” brand contacted me about our Sashiko. Collaboration with them would increase our publicity significantly. Well, regardless of the potential benefit, I told them what I always state here. I don’t hear back from them – and they would probably find “someone convenient” to adapt Sashiko to their profit. Unfortunately, this Fast Fashion brand isn’t the only one.
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As a business to make a profit, there is nothing wrong with their decision. What I want to say is that what is “famous” is not always what it really is. The Internet enables us to see the story behind “popular” – so your time here to read my Story, and spreading to your world, will be the best way to preserve the culture we are about to lose.
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昨日のカトちゃんとKUONの刺し子ジャケットの写真、沢山日本語のコメントが頂けて嬉しいです。丁寧に個別にお返事を…と思ったのですが、お返事したい内容が一緒なので、ここに書かせて下さい。
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いつも配信で話す「（総刺しの）刺し子ジャケットは着る人を選ぶ」ということ。そして着る人と刺し子の重さのバランスが取れるとこうもカッコよくなるんだということ。ファッションのセンスはないと自認しながらも、この組み合わせはどこのどんなブランドのハイエンドの服とスーパーモデルの組み合わせよりもカッコいいと思ってしまいます。
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「着る人を選ぶ」と書きましたが、それは「選ばれた人しか着れない」ということではありません。着続けるだけの覚悟があるか。もっと言うと、覚悟があるか。どんな小さいことでも良いんです。覚悟がある人、あるいは覚悟をしたことがある人には、刺し子は必ず似合います。きっとね、一昔前は日本はそんな人で溢れていたんだと思います。無骨。愚直。頑固。英語にできない単語が沢山あって、それが文化を形成してきました。刺し子が無くなる日は、着る人がいなくなる時です。でも…いや、だからこそ、日本は大丈夫だろうと思って発信しているのだと思います。
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カトちゃんは伝説の人です。ドリフのメンバーは誰が来ても刺し子を最大限に引き出してくれると思います。と同時に、実は多数の「刺し子が似合う人」が日本には存在します。幼少期からずーっと見てきた人達であり、また私が尊敬し憧れ続けてきた人達でもあります。
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昨日の配信で「刺し子は民藝なのか？」への私なりの回答をしました。もしかしたら私は刺し子を民藝寄りにしたいのかもしれません。分業（仕事を分ける）のに、一つの纏まりがある。個人の趣向を尊重しつつ、でも一つに収束する。そんな日本人らしさを今後も形にしていけたらと思います。ま、偉そうなこと言ってますが、刺し子しかできないんですけどね。コメントありがとうございます！
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#Sashiko #刺し子 #日本人の刺し子


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In many years of our practice in Sashiko, we very rarely have worked for a fashion brand. KUON – @kuon_tokyo_official is one of them, and they shared incredible news that the legendary Comedian in Japan wore the Jacket we contributed to (as Sashiko Artisans) for his book cover photo.
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The team Kuon, with very talented members, has been applying their understanding & interpretation of Sashiko & Boro to their definition of “Fashion”. As you know, we are simply “Artisans” – Fashion itself is not our strength, or even the priority. Therefore, we often end up declining the offer from other brands – we need to have a mutual understanding first on what we can/wish to do. I am very happy that this Jacket has been like their “signature” – and yes, I would say, this is the best, most fashionable, and the coolest Sashiko Jacket I can imagine. Our Sashiko – Their Design – and I believe it is one form of the future of Sashiko.
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We know what we can do – and We also know what we “cannot” do. Sharing Stories here is my priority, yet creating the future (with new Fashion) is also an important action. It was (and hopefully “is”) an honor to work for/with Kuon.
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Photo Styled by @kanemitru
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私が今のように刺し子と真剣に向き合い始めた初期のお話です。当時から恵子さんは今と何も変わっていなくて、当時の刺し子職人さんと一緒にご協力させて頂いたプロジェクトがあります。大槌刺し子と一緒に仕事をする中でご縁を頂いたブランド「KUON – @kuon_tokyo_official
」から刺し子のご依頼を頂き、刺し子を担当させて頂いて、その後才能溢れるパターンナーの方を中心としたチームが作り上げたジャケット。今回、加藤茶さんの人生初のパーソナルブックの表紙にご着用頂いたとの報告を頂き、こうしてご紹介させて頂くことになりました。KUONとスタイリストのカネミツさん（@kanemitru）の共同作品とのことです。敢えて言います。カトチャン、めちゃカッコいい。
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配信や口頭では時々KUONさんのことはお話していたのですが、「美しいものはいつまでも美しい」をコンセプトとした、まぁとんでもなくかっこよくてお洒落なブランドです。刺し子や襤褸のことも調べて下さり、その未来を丁寧に大切に作って下さっているブランドだと思っています。だからお手伝いをさせて頂くことができたのだと思っています。
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ジャケットやバッグという「身につけるもの」を作っている私達ですが、ファッションについてはセンスがあまりありません。私に限ってはさっぱりです。野良着は平面裁断である程度限界があるし、刺し子をした私の着るものは、パターンとかよりは如何に刺し子をするか…という方向に意識がいってしまっているので、「ファッション？何それ？？」という、陥ってはいけない状況に迷い込んでしまうことも多々あります。現代において布と生活する私等は、ファッションとは切り離せません。刺し子もファッションと切り離せないし、切り離したら駄目です。だからこそ、私達は愚直に不器用でもいいから刺し子だけに焦点を当てて、その「刺し子をどうするか」という未来は、KUONのようなチームにお願いしたいなというのが本音です。
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もう来週までなのですが、伊勢丹新宿店 メンズ館2階にてポップアップストアを開催されているようです。是非KUONの作品を見に足を運んで頂ければ。刺し子と襤褸の解釈としての未来の一つがそこにはあります。
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#Sashiko #KUON #刺し子 #日本人の刺し子


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(From the previous post) One of the core approach of “Morita Therapy” is “あるがまま (Aru-ga-mama)” which can be translated to “as is / acceptance”. In my learning of psychology, this was an eye-opening moment.
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When we (West) experience illness, we try to remove it from our body as if it is the “enemy”. Yes, it can be harmful to our “comfort level”, but also it is part of us. In Morita’s theory, one goal is to learn how to “accept it to be as is”. Let’s say, instead of trying to “fix” the manic (or panic or depression), we accept it is part of us like a problematic family member. A patient go through 4 stages to reach the goal of “Aru-ga-mama”.
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The core concept of Sashiko isn’t really “あるがまま” – but acceptance is very fundamental philosophy of Sashiko. Some say “Embrace Imperfection in Sashiko” as if Imperfect isn’t complete – in theory, in Japanese Sashiko, we don’t even have to embrace it because it is “as is”. Why do we have to always fight for the “Correct Answer”? What I teach in Sashiko is completely different from what is taught in English – Our Sashiko Starts when they find their own rhythm to accept their stitches. Therefore, we can have so many beautiful & large Sashiko pieces repeatedly.
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Don’t let others define who you are. Don’t allow others to control what is “right” for you. You have already “yourself” within – which can be rough or uncomfortable, but it is a part of you. I hope Sashiko helps you to accept who you really are instead of “trying to be someone else” by following rules & someone’s ideas.
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(I am not a medical/psychological professional. Please do not take any radical action without talking to them) & Live Streaming Tonight.
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「民藝」へのコメント、有難いです。柳宗悦氏の「民藝」の定義には8つの基準があります。これを満たせば民藝だというようなものです。数多ある日本の手仕事の中には、8つ全てではなく一部の基準を満たすものが多かったりして、結果として民藝の定義が主観的になってしまうのかなと思います。そもそも、民の美術なので、解釈が広がるのは自然なことかと思います。
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民藝に関しては数多くの専門家の方が言葉にしていますし、私個人は「”私のしている刺し子”は民藝じゃねーんじゃねーか」とここ15年程思っているので、前のめりで選ぶテーマではなかったりします。勿論、刺し子を民藝とする考え方も理解できるし納得もします。民藝を学ぶことを通して、願わくば、敬愛する白洲正子さん（と次郎さん）の審美眼とその文才に少しでも近づけたらと。ちなみに「民藝って何？」という方は、目黒にある日本民藝館へ一度足を運んで頂き、「雑誌民藝」を購読頂くことをオススメします！私の願いは一つです。英語圏で民藝がMINGEIとなって言葉の一人歩きをしてほしくないという点です。刺し子と同じ轍は踏ませたくないのです。
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#Sashiko #刺し子


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As Sashiko becomes the trend, some exaggerate the word itself. By just looking up the word online, we can find so many “words & concepts” related to Sashiko – like, Recycle, Upcycle, Sustainability, Appreciation (to what we have), Mindfulness, Meditation… you name it. Unfortunately, some of the concepts are misleading about what Sashiko is for someone’s profit. However, at the same time, some of them are very true yet not “verbalized (introduced)” well in a process of Sashiko’s development. One example is the psychological benefit we can get from Sashiko (putting aside that Sashiko “was” a form of stitching for survival).
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My wife is a Licensed Clinical Psychologist with Ph.D. She regularly encouraged me to go to the Graduate Program to be Licensed saying I am very talented in Counseling. Interestingly, what I share as my “ordinary” is somewhat eye-opening information to her. I say [don’t consider Sashiko as the “heroic medicine”] – it will not “cure” the issue. However,Sashiko may have something to keep us healthy like how Japanese diets may improve our health. I hope that my stories here become like “Japanese Food” for your healthy diet (although I may not be realizing it).
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As I want to support her, I try to learn “psychology“ as much as I can. Then, I found “Morita Therapy” as a treatment for mental illness in Japan. Its approach resonates with my understanding of Japanese, and I am actively learning the practice & mindset there. Sashiko is NOT a form of treatment or medicine – but I find a lot of similarities in Morita Therapy & Sashiko from the perspective of appreciating Japanese culture. If you are interested, I can elaborate on this story more later on. One principle is to stop “judging” if the illness itself is “bad”. So is Sashiko – your Sashiko will be there when you stop judging your stitches, and what I teach is how NOT to judge the outcome.
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刺し子とはまた別の注目のされ方というか、こちらは日本人の私でも触れるに少々勇気がいるというか、英語圏で日本語そのままで使われている言葉に「民藝」があります。私の勉強不足は否めないし、「刺し子は民藝なの？」という質問には「場合による」という返事で逃げ回ってきているのですが、重い腰を上げる時が来たのかもしれません。勉強せねば。
（一番の勉強方法は日本を回ることなんだよなぁ）。誰か民藝を語りたい人いたら是非、お話を伺わせて下さい！！
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#Sashiko #刺し子


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In the previous Sashiko Live Streaming on 10/26, I received one question: [What is your goal in Sashiko?]. It was in the line of the analogy of climbing the mountain – and it is natural to have this type of question as I said [Money isn’t the goal. It is simply a vehicle to get to the goal]. Some may imagine a huge ambition I have, like creating a big empire of Sashiko. No, I am not interested in any structure to make it big (either empire or a company). Again, the structure/organization is also a vehicle to reach the goal – not the goal itself. So, the goal is pretty simple – to pass down the Sashiko (Stories). More articulately, involving my personal selfish hope, my goal is to leave the Sashiko Story to my daughter, when she may face to her own identity.
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The family I have here in the US is a nuclear family. It concludes with 3 of us, yet we have 3 cultures within: American, Jewish, and Japanese. As our relatives aren’t in the U.S. at all, my wife and I were always in charge of my daughter. As much as it was difficult, I wanted it as my childhood was the opposite – I didn’t have a sense of “family” (which I see on TV often) until I made one here. Not many people have dozens of elderly people whom I considered as “grandma”.
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Again, it wasn’t the best childhood. However, I also realize how privileged (fortunate) I am to receive all of the “Stories” from so many Grandmas. Ideally, as a father, I want my daughter to have something I had. For me, that is the Sashiko Story here. I hope some of you here would be her “Grandma” when she needs a Story to inspire her. Until then, I hope I can be your grandma through this account. That is my goal in Sashiko.
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「お金は手段であって目的ではない（お金はゴールに到達する為の乗り物だ）」なんて偉そうなことを書くもんだから、英語の配信で「刺し子においての淳のゴールは何？」という質問を頂きました。「刺し子を残したい」という一文が答えにはなるのですが、沢山の修飾節が存在します。
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移住先のアメリカで核家族で生活しているのですが、これは昔からの私の憧れでもありました。幼少期に「家族」という単位を感じることがなかった為です。同時に、娘には私達夫婦以外との関係性が薄く申し訳ないなという気持ちでいます。こうやって物語を残すことで、ここにいる方々の誰かが、娘が困った時に話をしてあげるおばあちゃん的な存在になってくれたらなというのが一番の願いです。それまでは私が誰かのおばあちゃんになれたらいいなと。そんな個人的なことが、私の刺し子の一番の目的だったりします
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#Sashiko #刺し子 #日本人の刺し子


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Since my childhood, I haven’t considered my Sashiko as “masterpiece” or even “proficient Sashiko”. There are reasons behind my perception of why, but I won’t explain it here as it will be long. Therefore, I call myself Sashiko Story-Teller instead of Sashiko Master. I wasn’t “allowed” to teach Sashiko until 2017, and my whole world is changing in Sashiko. I was okay not to be the “best” in Sashiko, but I may be able to be the best teacher in Sashiko.
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Well, it is difficult to define the “best” in many cases, and so is Sashiko. However, look at this Sashiko done by @na.na_45 – She is one of my very first students, and she has reached this level already. And, she isn’t the only one – I have so many rising Sashiko artisans I would like to support – who surpass me (as a teacher) already.
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Sashiko is still alive – we are trying our best to bring the “Sustainable Sashiko” back. It is true that we can do any “Sashiko” – but please acknowledge the Sashiko in Japan, done by someone who learned Sashiko by the Japanese, and possibly support them & their tools & supplies. I just received the package from Japan with some supplies (finally!), and her Sashiko made my day!
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「お金は目的じゃない。目的に到達する為の乗り物であり手段だ…」と声を高らかに宣言しながら、「もう、物欲はないんだよね」と仙人のようなことを言っていますが、正しくは物欲はあるのです。高級車に乗りたいとか、良い家に住みたいとか、美味しいもの毎日食べたいとかっていう欲はないのです。車は移動ができれば良いし、家は雨風凌げればいいし、理想を言えば工房は欲しいけれど今みたいに台所の横で刺し子するのもありだろうし、美味しいものも自分で作れば良いし（新鮮な魚とかは手に入らないけれど、欲と言えるものでもない。我慢できるから）。
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現実的は無理だけど理想とする欲と、我慢できない欲がそれぞれあります。理想は頻繁に日本に帰りたい。これは移住した身としては現実的に不可能。では、欲がどこに向かっているかというと、「コレクター気質」に集約されます。昔から収集は好きだったのですよ。マイクラとか今でも好きですし。今は「私が好きな刺し子」を集めるのが唯一の物欲だろうと思います。
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運針会を通して気がついたこと。それは「私達の刺し子は再現可能だ」ということ。昔、大きな荷物を背負っていた時、挑戦すらせずに諦めていたことを、全てを失った後に気がつくという皮肉なお話ではあるのですが、それでも子供時代の記憶にある刺し子に近いものに触れられることが嬉しくて、沢山ある好きな刺し子を集めています。こちらは@na.na_45 さんの三つ箱つなぎの刺し子です。「収集して引き出しに入れておくのが刺し子ではない！！」っともう一人の自分からお叱りの声が自分に届きそうですが、でもね、収集して眺めて、そしていつか展示会という場でお披露目したいなぁと思うのです。
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自分が「刺し子で一番になる」ことを目標にしないのは、過去からの経験です。諦めとも言えるし、弁えているとも言えます。私は「それで良い」と思うようになりました。刺し子を教えることで一番になって、そして私を経由して下さった刺し子を好きな方が、刺し子の高みに登ってくれれば嬉しいなと。この三つ箱つなぎは、私の理想の刺し子のほぼ完成形です。裏も綺麗ですから。沢山の方と頂いているご縁。これからも紹介していけたら良いなと思っています。
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#Sashiko #刺し子 #日本人の刺し子


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Not so often, but I try to “sell” items we make. All hand-stitched with Sashiko, using long-established tools & supplies, and appreciating the fabric we occasionally find in History. As much as I say I wrote honest posts (about Commercial Interest with Sashiko) in the last few days, my intention for this account is to share the Stories – because, unfortunately, there are so many untold (or being Told but not yet being listened) Stories about Sashiko in English. I have another account @upcyclestitches for the financial sustainability (business aspect) of Sashiko.
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Every Sashiko Item we share on this account is “something we stitched”. We occasionally share some photos of Boro – but in 99.9% cases, unless it is noted that we take a photo of someone’s piece, we add stitching somewhere. We stitch, and these stitches carry stories. Sashiko isn’t History, yet. It is an ongoing practice, and therefore it is so important to acknowledge the people behind the words – not someone who uses the word “Sashiko” for their convenience. Sashiko has its own long History, but Sashiko is NOT in the past. Some introduce Sashiko as “Ancient Japanese Stitching Technique”… It isn’t really Ancient, as it is still on-going. Therefore, I share Sashiko “Stories” rather than Sashiko “History”. History is very important to learn what it is – but the whole purpose of learning History is to enrich our “today” – so please be mindful when you learn what Sashiko is from someone who mentions about the “past” of Sashiko.
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You may wonder if I were to have a “hint” to distinguish who is acknowledging the stories or not. Well, unfortunately, there isn’t the easy answer for this, but one thing I can say is that “Sashiko is Stitching Practice” – so I wouldn’t trust anyone who is NOT stitching – yet pretending they know about Sashiko.
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英語での刺し子は「Ancient Technique」と紹介されることがあります。受験英語出身の私はAncientと聞くと「古代の」と翻訳してしまい、勝手にそんなに古くするなよと抵抗感を抱いてしまうのです。別の意味では「古くからの」という継続の意味もあるっぽいので、用法そのものは間違っていないとは思うのですが、ただ、「刺し子は過去ではない」ことはこれからも主張していくべきだと思っています。刺し子において過去から学ぶことは沢山あります。ただ、過去だけに集中すると、今後という未来を担う現代の刺し子を蔑ろにすることに繋がりかねません。まだ、刺し子は歴史として完結するものではないのですよ。配信、沢山お話しすることがあります。忘れないようにメモして頑張りますー！
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#Sashiko #刺し子 #日本人の刺し子


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One of the strong wishes I have in sharing Stories here is to remind of the power of imagination. “Reading between lines” is critical to understanding Japanese culture. Imagination helps us to read between lines. So, try to read what is not “written”, instead of reacting to what you think it should be written.
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I often receive criticism about me “selling items in Sashiko” when I talk about “Making Profit in Sashiko”. They say, [You Sell Japanese Culture, too!] as if they found a critical discrepancy… Yes, I proudly sell items! That’s one way to preserve the culture. I have never said it is wrong/bad to make money. In fact, I even encourage others (including non-Japanese) to do so when they acknowledge the culture behind. Money is important – the issue is to “change culture itself” for the profit.
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Back to Mountain Analogy. I never say it is wrong to have a shop on a trail. The issue is that some “mislead” to the one trail saying “This is the only way to get to the top”. I never say items in a shop are wrong. It is a “Simplified Guide” that I consider as an issue. I always recommend my students to try other trails. I never say it is wrong to pursue commercial interest in Sashiko – in fact, I encourage them to do so. In order to taste the clear water & see beautiful flowers in the trail I recommend, one needs to have very specific equipment. That’s what I have in my shop. Some may practice using the tools by themselves to have similar experience, but others would need assistance in learning the way we use. That’s what I teach – so that “everyone” can experience what I love the most on the trail.
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I don’t know why some have an allergic reaction to “Making Money” shouting [You Sell Japanese Culture, too!]. Of course I try. I want to support all artisans who are a part of the Sashiko we practice. Money is a very important vehicle to reach the goal. Please read behind the other’s writing, too. Mindfood: Is Money(Shop) a vehicle (tool) to get to the top/goal? Or, is Money(Shop) itself a goal and “mentioning the trails” is a marketing strategy? You should be able to tell the difference.
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また長なった…。ごめんなさい。配信で語ります＆コメント欄で補足します。
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#Sashiko #刺し子


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