Another great opportunity to learn Sashiko in Sashiko Stitching Workshop (Core & Basic) is coming up within 3 weeks. I have received many positive reviews, and I come to realize that this is the best way to start & review your Sashiko knowledge and Sashiko Running Stitch. The size of the workshop is very small. You will get enough attention throughout the workshop to learn the “Core and Basic” of Sashiko. The small workshop size means that the seats are very limited. Don’t miss this great opportunity.
The reason to learn Sashiko from me
Sometimes, I receive inquiries regarding the level of Sashiko Workshop. For example, a question like “Can I take the intermediate workshop since I have ☆☆ years of experience in Sashiko.” I always suggest taking the Sashiko Stitching Workshop (Core & Basic) to learn the basic posture of Sashiko. The only exception would be sending me the Sashiko Running Stitch to let me confirm that the participant masters what I teach in the workshop.
I have taught how to do Sashiko Running Stitch to more than 100 students. None of them handled the Sashiko needle as we do. The years of experience in Sashiko is wonderful, and I respect that. However, for the Sashiko Running Stitch, I want to share what we are proud of in the needle movement.
Yes. I will also share a list of great information and technique with you.
- I was born in the surviving Sashiko family, so I can share the authentic Sashiko items with you and our history.
- As long as I know, I am a very few Japanese Natives who practice Sashiko & speak English. What I tell you isn’t someone’s translation or interpretation. It is the real voice of the Sashiko family.
- Our Sashiko items (Created by me, my mother Keiko, and our friends) are shared on Instagram and other SNS. Although we sell supreme quality Sashiko supplies, we are not the Sashiko supply dealer. We are a group of Sashiko artisans after all.
Although there are more reasons that you would like to learn Sashiko from me, the core is my passion that I want you to learn how to use the thimble and needle so-called Unshin (運針 = Needle movement).
Why Sashiko Running Stitch?
So then, why is Sashiko Running Stitch so important?
It is because the regular hand-sewing is too slow for some Sashiko project. Please take at the speed of our Sashiko Running Stitch. Absolutely no edit for the video.
I often say that Sashiko is not all about stitching. The practitioner would need to how to pick the fabric and materials, how to prepare them, how to make beautiful stitches, and how to finish them as the item such as Jackets, bags, and coasters. However, without proper stitching, it isn’t Sashiko any longer (At least, I do not call the item without stitching “Sashiko“). Sashiko merely a form of stitching, but the stitching itself can be masterful. I want you to be one of the masters.
Okay. Mastering the Hand-stitching is Important. Then, why Sashiko Running Stitch?
The answer is very simple. The other hand-stitching techniques are sometimes too slow. Sashiko became famous in a culture of sustainability and “slow-fashion”. The process of slow-stitch has the same result of meditation. I feel the same calming function and I love the slow & caring process of Sashiko.
However, wouldn’t you think it is better if you can finish the stitching like this in a day (It took about 7 hours or so to get to here in several days) instead of a month? The speed and accuracy of mere simple Sashiko stitching is the core of our Sashiko. The Japanese developed Sashiko for the purpose of “Survival”. At the very origin of Sashiko, it was the method to fill the space of rough poor hemp fabric.
The more the person can make stitches, the more cloth we can repair. I believe that the speed after proper technique and repetitive practice is extremely valuable in hand-crafting culture. Not only Sashiko, but also many kinds of professions such as fruit cutting, dim-sum making, you name it.
*Please understand that I respect other embroidery techniques and hand-sewing culture. I see many people apply their own technique to Sashiko, too. They are very inspiring and I learn a lot from them. Unlike the other embroidery culture, Sashiko started as the “practical hand-stitching” rather than decorating purpose. I respect that, too.
Many Various Unshin Masters in Japan
As I keep mentioning here and there, there isn’t such a thing as “right” or “wrong” in Sashiko culture. If you can stitch as fast & accurate as (or faster & more accurate than) we can, the workshop may not be beneficial for you.
I know many Unshin Masters in Japan, and they stitch faster than I do. Some of them have the same or very similar posture of our Sashiko. Some of them have a somewhat different way to hold the needle and push the thimble, yet very speedy. The appropriate posture can be modified by 10 years, 20 years and more years of experience. My mother & Sashiko Artists, Keiko, has a bit different posture than what I teach.
The posture I teach is the one I started with in my childhood.
Throughout teaching many students with the different background and the different size of hand & finger, I brush up this “entry” technique so everyone who joined the workshop can start the Sashiko stitching as we do with less struggle and issues. Some of the graduates stitch as fast as I do, and that is my goal for the Sashiko Stitching Workshop (Core & Basic).
I am looking forward to seeing you there!
Video of Sashiko Running Stitch in a big Sashiko Project