Sashiko is a form of hand- stitching the Japanese had developed hundreds of years ago. I strive to leave this culture to the next generation by sharing the stitching technique and stories behind its history.
I believe the Sashiko is the process of mending, repairing, strengthening the fabric with putting thoughts of the family. Also, it was the Fashion the Japanese tried to enjoy in the limited resource and regulation. There are many “Sshiko looks” fabric available in the market. I hope people start enjoying their own Sashiko by appreciating the fabric they are already in Love.
If you are interested in any keywords below, the information in this website may be beneficial.
Upcycle / Repurpose / Sustainability / Janaese Traditional Stitching / Boro / Nogari / Mingei / Mending / Japanese Hand Made/
Recycle (Upcycle) what you love instead of Replacing it. You will love the item more if you repair it by yourself, with your hands.
Let’s see if I can share the clarification of Sashiko Definition. In this page, I try to navigate you to understand what Sashiko is.
As a foreword of this serious of articles, I shared my conception and understanding of Sashiko first. It would be great to spare your time to read it through in order to avoid unnecessary misunderstanding. My goal is always simple. It is to share the joy of Sashiko. Therefore, our mission is pretty simple as well. It is to provide the good quality information to make Sashiko more public (open-source). I hope this page will provide some clarification.
Here is a serious of articles about a question of “What is Sashiko?”
“What is the difference between Sashiko Stitching and regular stitching?”
I often receive the question. It is difficult to exclusively distinguish what is Sashiko and what is Not sashiko, so let’s start the serious with my challenge of explaining the terminology and definition of Sashiko.
According to the Wikipedia
Sashiko is a form of decorative reinforcement stitching (functional embroidery) from Japan. Traditionally Sashiko was used to reinforce points of wear or to repair worn places or tears with patches. This running stitch technique is often used for purely decorative purposes in quilting and embroidery. The white cotton thread on the traditional indigo blue cloth gives sashiko its distinctive appearance, though decorative items sometimes use red thread. (https://en.wikipedia.org/wiki/Sashiko_stitching)
This description is quite accurate.
A few key phrases are;
It is a functional embroidery to strengthen the fabric.
It is a technique to repair, reinforce, and mend the worn places and tears on fabric.
Recently, it is used in quilting and embroidery for decorative purpose.
Technically speaking, as long as the products use the fabric based on this concept, we may call anything Sashiko. One thing I would add is that all stitching in Sashiko is hand-stitching. Although there is an option to use “Sashiko machine”, I personally do not want to call it Sashiko if it is done by machine. The beauty in perfection is another key in Sashiko culture.
In fact, if we follow the primitive concept of Sashiko to mend the damaged fabric, probably using sewing machine will destroy the fabric more by using strong needles and bobbins. It is a side note.
Sashiko as a process
Until 2014, I explained the Sashiko definition like I did above paragraph. Sashiko is a form of stitching, and I thought of the result: the result in form of fabric with Sashiko on.
Recently, however, I start realizing Sashiko is not only the result, stitched fabric, or stitching techniques, it is but also a process of mending the fabric.
A few hundred years ago, women repaired men’s jackets. When they stitch, they thought of men who work hard outside. They patched the fabric with hand-stitching. They tried to make it more beautiful with limited resources such as just indigo dyed fabric and white thread.
I believe this process is called Sashiko, not only the result with stitching.
In order to explain the deeper side of definition and process of Sashiko, I would need to share the history of Sashiko. Let’s do it next time.
As a Sashiko artisan, I would need to answer to a fundamental question; “What is Sashiko?”
The answer to this question would require a serious of explanations on its background. Yes, this website “Upcycle Stitches” has the exact mission to explain and share what Sashiko is. Before establishing the database of Sashiko history and culture, I would like to share my conception of Sashiko. For the series of articles to define what Sashiko is and for the answer to the question of “what is Sashiko ?” please visit our cornerstone page for Sashiko definition and terminology.
Keiko explaining about Sashiko in Otsuchi Sashiko Project
Sashiko is a Process, not a Result
Sashiko is a form of stitching.
The purpose of stitching originated from repairing, mending, patching and reinforcing the fabric. Also, in some regions, the Japanese performed Sashiko for the decorative purposes. In the current society, we enjoy Sashiko to decorate the fabric like embroidery. We also use Sashiko techniques to repair the damaged fabric to recycle (upcycle) and repurpose the fabric to something unique. We can see the Sashiko stitching in Fashion Industry Trend.
Katazome Vintage Fabric with Sashiko stitching to strengthen the fabric.Sashiko to repair the damaged Fabric on the Denim Jeans
There are various styles of Sashiko stitching. The Japanese developed Sashiko in many locations in Japan. Wherever a town (or a village) is surrounded by mountains and had a lot of snow over the winter, the place likely to have the Sashiko culture or similar stitching customs. In short, Sashiko is a culture developed in poverty and inconvenience because of poor logistics. The Japanese who originally performed Sashiko didn’t have enough fabric to make the new clothes.
We can see more than 100s of patterns in the Sashiko history. Sometimes, it doesn’t require the pattern to make beautiful Sashiko stitching, especially when they focus on mending and repairing the fabric. It is not productive to discuss what is Sashiko and what is NOT Sashiko based on the patterns and stitching techniques. However, to clarify the understanding of Sashiko a little bit more clearly, here is the list of aspects (elements) of what Sashiko is, and a list of what is NOT Sashiko.
Sashiko Elements
Hand-Stitched*
Appreciation to the fabric
Concept of Mottainai – too good to waste
The main purpose is repairing and/or decorating the fabric
Repetition of mending, repairing and using the fabric
*There is a Sashiko sewing Machine. Personally, I do not think it is Sashiko.
What is NOT Sashiko
Printed Pattern | Some says that the printed Japanese geometric patterns are Sashiko.
Decorative Embroidery (They are beautiful, but not Sashiko)
Products made from Sashiko Weave Fabric
*The list is based on Atsushi’s understanding. No intention to deny anybody’s understandings.
*Sashiko Weave Fabric is the sheet of textile woven imitate the Sashiko Stitching.
In the market, there are many products named Sashiko.
I am fine when the seller mentioned “Sashiko-Like” on the product description. However, when I see people using the word of “Sashiko” for only the marketing purpose, I feel pretty irritated. Sashiko isn’t about neither the Japanese geometric pattern nor the fabric similar to Sashiko hand stitching. It is about the hand-stitching with appreciating the fabric as well as the people who wear the fabric we stitch on.
Sashiko isn’t the result. There are Sashiko products made AFTER the Sashiko stitching, and we call it “Sashiko Jacket” or “Sashiko Bag.” However, Sashiko cannot be Sashiko without the process of appreciating the fabric and hand-stitching it. Therefore, my conclusion is that Sashiko is the process.
Sashiko is the process, not the product.
I hope we can share the fun process of Sashiko and the beautiful result of sashiko stitching.
*Well known Boro is the ultimate result of Sashiko.
Enjoy Sashiko | with thinking less of Right or Wrong
There are many tutorials in form of books, DIY kit, and online materials such as video and websites. You may have arrived this website by searching what is the correct way to do Sashiko.
I usually tell my students that there are no rules or restrictions in doing Sashiko. It is much more important the people continue enjoying stitching than giving up continuing because of its obstacles such as regulation and rules. In short, I believe there is no such a thing as “Right or Wrong” in Sashiko.
However, please do not misunderstand my words. I am not saying that the books and tutorials about in the market are “mistaken” because some of them explain the rule, like what to do and what not to do. In fact, I sincerely respect the contribution to this Japanese stitching culture from many people, in and out of Japan. I am happy that I am part of it to embrace this beautiful upcycle and repurposing culture.
I am not saying that the books and tutorials about in the market are “mistaken” because some of them explain the rule, like what to do and what not to do. In fact, I sincerely respect the contribution to this Japanese stitching culture from many people, in and out of Japan. I am happy that I am part of it to embrace this beautiful upcycle and repurposing culture.
Some rules. No restriction. Never Right or Wrong
What I try to share is the most efficient and enjoyable way to embrace Sashiko from my family’s experience. I will share some of the rules to make looks better. Many of books and online tutorials are sharing their perspective to make stitching more beautiful. It is up to you to decide what is beautiful or not. So, I want you to feel free to investigate as many techniques as possible to expand the experience.
There are some rules to make it better, but no restriction you have to follow. There shouldn’t be any “right” or “wrong” in Sashiko art. As long as the art has the purpose of “appreciating the fabric by repairing, stitching, and strengthing.”
Make it available (Open-Source) for people who wish to enjoy
One of my goal of establishing this website is to make Sashiko open source, available for anyone who would like to enjoy. The best way to learn from me is to join the workshops. However, I understand that not everyone can make a trip to wherever the workshops are available. Also, I would like people to have access to the information so they can continue enjoying Sashiko.
Please visit my tutorials to enjoy the technique and its culture.
What I am trying to do is simple. I want to share the joy of Sashiko to as many people as possible. I hope you can be part of the movement, to appreciate the fabric and make what we have to beautiful and wonderful art. Upcycle and Repurpose it.
I am still looking for the answer to “What is Sashiko?”
I am sorry that I didn’t provide the complete clarification of what Sashiko is. What I could provide was the pieces of information and my understanding toward Sashiko.
In summary, I wanted to share the fun of Sashiko by simply enjoying stitching instead of worrying what is Sashiko. At the same time, I understand that there is a need to define what Sashiko is, with perfect clear clarification.
I used to have the solid definition of Sashiko . However, after learning other types of Sashiko in Japan and learning their culture, I start doubting myself. It is a good thing to doubt and re-define what Sashiko is. I am still on a journey of looking for the answer to the question. “What is Sashiko.” You are now a member of this jouney. Thank you for reading the long article.
I hope I can reach to the definition with you, by enjoying the research on Sashiko and creating more Sashiko Pieces.
When I start introducing Sashiko in English about 10 years ago, the word of SASHIKO wasn’t popular among the general public. People in patchworking and quilting were eager to learn the Sashiko stitching techniques. I remember my challenges to try to reach out to quilting and patchworking enthusiastic people. Recently, I meet new people with the knowledge of Sashiko, and these people come across to Sashiko throughout mending. Sashiko Mending Jeans are especially popular among the new fashion.
People in patchworking and quilting were eager to learn the Sashiko stitching techniques. I remember my challenges to try to reach out to quilting and patchworking enthusiastic people.
Sashiko in Fashion Industry.
Recently, I meet new people with the knowledge of Sashiko, and these people come across to the word of SASHIKO throughout mending the fabric. Especially, Sashiko Mending Jeans seems to be popular, I assume. Interestingly, it is “Mending jeans with Sashiko” that I enjoy the most in Sashiko.
Sashiko Mending Jeans as a cool item
I was raised in the Sashiko family. Sashiko was always around me. However, I didn’t feel comfortable wearing most of Sashiko products in daily life simply because it wasn’t fashionable in the 21st century. As the side project of my regular Sashiko work, I started working on my garments like denim jeans, jacket, cotton shirts and so on. Then, I realize how cool Sashiko can be. It was around 2010 ~ 2011, then the time of realization how important it is to pass down Sashiko to the next generation comes to me after the earthquake in Northeast of Japan.
Sashiko is a process, not the result
Here are some photos of my jeans that I am working on mending, and wearing pretty much every day. Sashiko is not only the result. I start realizing the Sashiko is the process of mending, repairing, and reinforcing the fabric. Sashiko Mending Jeans will not be the end product since it requires repetitive patching and stitching. When I sell my Sashiko mending jeans, I would like to teach the buyer how to Sashiko it by himself/herself. Anyway, here is a serious of photos, as of today.
However, mending (sewing) means adding extra tension to the part of fabric without stitching. Therefore, the part without Sashiko thread starts getting torn. Then, I would need another mending project. This is why I say that Sashiko is the process, not the result. It is perfectly fine since it is fun doing it, and the more mending projects I would do, the Sashiko mending jeans get fashionable. (By the way, I believe “Boro” is the result of this repetitive mending with Sashiko. I am making Boro in future now!)
A hole. Thinking how to make Sashiko stitching on
I cover several methods of Sashiko mending in my workshop. It is a fun part for me to think what to do. I will update the result after I do Sashiko mending.
Preparing Sashiko fabric and matching it
Although I haven’t started actual mending process, I have prepared the Sashiko fabric to patch. Using Japanese vintage fabric with Natural Dye Sashiko thread, it will be a fantastic match.
I have a plan to make a serious of tutorial… wait for the update and keep stimulating me by leaving comments or messages so I will get motivated a lot faster.
The word “Sashiko” is getting popular. There are several choices when it comes to choosing the tools. I occasionally get an inquiry about the Sashiko tools and materials I use. So here is the list of Sashiko tools I recommend, which is, of course, the Sashiko tools I use.
4 Sashiko Tools / Materials you need. Basically, that’s all you need.
*Each link goes to product page in our online store
You can use any kinds of thread clippers, but please be picky about these 4 Sashiko tools and materials. The result is hugely depended on the quality of these 4 things.
(1) Sashiko Thread
Sashiko thread is the most important factor to get the best result after so many stitching. Coron Sashiko thread is one of the best quality Sashiko thread you can get, and the Sashiko thread we (as “Sashi.Co & Keiko Futatsuya” and “Upcycle Stitches“) use daily. The Sashiko thread by different manufacturers are available online; but don’t risk your time-investment. This skein has 145 meters (475 feets). After all, the price isn’t that expensive in comparison to the thread from the other brands.
We have a selection of Coron Thread like below:
15 mono-color (solid color) thread.
5 variegated color thread
2 Sashi.Co Original color thread
many kinds of “natural dye” thread (dyed by hands)
(2) Sashiko Fabric
Although we use many kinds of fabric for Sashiko project, cotton fabric is always our preference. Cotton fabric with good amount of weight makes Sashiko stitching more beautiful in the result. Also, the contrast with Indigo-dyed fabric and white thread is one of the most well-known Sashiko combination.
A long, sharp, and strong needle is necessary for Sashiko. Since the Sashiko thread is thicker than the other embroidery thread, the eye should be a bit bigger than the regular needle. If the eye is too big, however, the needle may destroy the fabric and stitching. Pay attention to the size of needle-eye, when you pick the needle.
I use this needle. One size only. I do not change the size of the needle based on the variety of projects. The needle top is extremely sharp, so make sure you do not poke your finger to keep your fabric from dyeing to red.
A dish-shaped, round thimble is the only thimble I use for Sashiko. I strongly prefer the metal thimble since it lasts longer. When you find a hole in the dish-shaped metal, replace it. It won’t happen so easily, but it definitely will happen if you spend a good amount of time for Sashiko.
It is unique for many hand-stitching people.
Using the thimble and needle is one of the core materials in my workshop. For those who cannot come to the workshop, I shared a tutorial video how to make Sashiko stitching with this thimble and needle. Check out our Youtube Channel.
The other tools and materials
I will make another blog to introduce the tools and materials I use. However, the difference between what I use and the one you use would be less significant comparing to these 4 key items I introduced today. Sashiko requires you a lot of time investing. I strongly believe that you should be rewarded for the time you spent on Sashiko. You enjoy doing Sashiko, and you and your surroundings enjoy the result.
I hope sharing my tools would help your Sashiko life.
Thread, Fabric, Needle and thimble are available online for purchase. Please check our store. If you don’t find it, leave the comments so I will add the item right after your comment. The most beautiful products we sell is “Natural Dye Sashiko thread dyed by Keiko Futatsuya. (The photo at the beginning of this article is about the Natural Dye Sashiko thread” They are so beautiful that some customers don’t want to use it. Well… I will write a blog about it, too.
Sashiko thread is different from regular embroidery thread. Therefore, Sashiko Thread requires a special attention to store it in a good condition. Otherwise, it ends up with entangled thread. (Don’t let your cat to play. It will make a perfect ball.) This is a tutorial how to make Sashiko Thread Bobbin (Itomaki) for enjoying Sashiko thread until the end.
Difference in Sashiko Threads
There are many kinds of embroidery thread. Even speaking about Sashiko thread only, there are many options available in the market. We strongly recommend to get a nice heavy cotton thread, designed for Sashiko purpose. We use Sashiko thread manufactured by Coron, and we have been very happy with the result. Sashiko requires you a lot of time and effort. We want you to have the good result.
Our Sashiko thread is consisted by 6 thin embroidery threads, twisted in a unique way to create beautiful stitches.
The price looks a bit expensive, but considering the amount of thread (145 meters / 475 feets length) per skein, I believe the price is reasonable in the market in comparison to the other thread by Olympus or the other vendors. Some customer mention that it is too long to consume a skein. When you learn how to do Sashiko stitch in our Sashi.Co way, you would need more skeins of thread. When you follow my workshop, your stitching speed would increase by a lot, and it means you need more thread.
The easiest way to avoid the entangled thread
The easiest way to avoid the entangled thread is to cut the thread as a picture show below. Then, taping the edge of thread bundle will not let thread entangled easily. Since this process takes only a minute or so, I introduce this method in my workshops. The cut thread also have a good length to practice regular Asano-ha patterns. When you need a single line of thread, you pull one thread out from the bundle by holding the taping edge.
However, if you can invest your time to make Sashiko thread bobbin, I would recommend you to do so. I wish I could share this in the workshops, but it will take much longer and my workshops focus on Sashiko stitching / Sashiko mending, not making the Sashiko thread bobbin.
Therefore, I present a short tutorial video how to make a Sashiko thread Bobbin.
Invest some time to make Sashiko Thread Bobbin
I hope the tutorial video is clear enough to share how to make Sashiko Thread bobbin. Please leave the comments on Youtube if you have questions regarding this topic.
I don’t know how to call the blue thread holder introduced in the video. Is it called “a thread skeiner…?” It doesn’t have to rotate. As picture show below, ask someone to hold the skein of thread is another option. Or you could use two polls, too. You can purchase the blue plastic wheel from us if you are interested. We have 2 of these in stock. (Be advised that the wheel I use is pretty fragile… if you know any better product, please let me know!)
The biggest advantage of making Sashiko Thread Bobbin is that you can decide the length of thread you use for the project, without wasting the remaining thread. Another reason I make bobbins is that they look very beautiful and give me an inspiration. The various color of Sashiko thread makes me excited and calm simultaneously. It is probably the scenery I was grown up with.
I would like to invest some money on the Bobbin holder (The brown thick paper I introduce on the video / The cool designed board shown in the photo above). Wait for another update and join me if I start the “Bobbin Holder Making Project.”
Thank you for watching the video / reading our tutorial.
People often have a question how to transfer Sashiko patterns onto the fabric. Yes. Sashiko isn’t always about stitching. Preparing the fabric properly is a very important aspect of Sashiko.
Here is a tutorial how to transfer Sashiko Patterns by using a carbon paper
An easy and accurate way to transfer Sashiko patterns is to use a carbon (transfer) paper. Using proper tools will result in beautiful patterns on fabric. Here is a list of tools and supplies you need to follow this tutorial.
Fabric *1
Chakopee Carbon Paper (Transfer Paper) *2
Mylar Paper *3
Pattern *4
We, as Sashi.Co, mostly transfer pattern on the back side of fabric
We use Japanese Mylar paper. However, any Cello/Poly paper should work. It should be strong enough to hold the pressure (prevent being torn.)
A regular copy paper is fine. Since tracing require a strong pressure, the pattern paper will be discarded after a single usage.
The necessary materials above are available on this website. Check the purchase list.
A video will explain about the layers well, but here is the order of the layer. The number is the order to place the fabric and/or papers on the table. (Bottom to Up after completing it)
Fabric
Chakopee Paper (Shinning side facing down to fabric)
Mylar paper
pattern
Securing the all 4 layers. A tracing process with strong pressure can shift any layers.
Make sure to pin the 4 layers you made now. I usually use safety pins, but any kind of pin should work. Even clips would be fine as long as the layers are secured from shifting. Another tip is to NOT to pin it at one corner so that you can check the pattern in the middle of tracing without shifting the pattern.
Transfer Sashiko pattern by Tracing
I usually use a red-colored ballpoint pen to distinguish the line I traced. You may use any kind of pen (a pencil may be weak for the required pressure), and tracing tools such as a tracing wheel. Make sure to trace strongly enough to push the tracing paper onto the fabric. You may check the results in the process untiil you understand that required pressure. The pressure is depended on the Cello paper you choose.
Check the result. Support the weak transfer.
You should see the white line on the fabric. (You may see different color if you purchase the different tracing paper.)
If you find some lines with weaker chalk transfer, then use a white pencil (or chalk pencil) to support the line. In the process of Sashiko, the pattern may vanish because of sweat from hands or friction of fabric. Use the pencil as you need.
And Sashiko Stitch!!
After that, Enjoy the Sashiko Stitching!
Keep it in your mind that I usually transfer the pattern on the back of the fabric. Since the patterns will be washed away, you can, of course, transfer the pattern on the front side. It is up to you, but for some reasons, I keep transferring the patterns on the back.
Leave the comments on Youtube Video if you have questions about transferring the pattern. I will try my best to answer it.
More people are interested in Sashiko presentation, more than I thought.
I received many great questions in Sashiko Presentation. Now I need to answer after thinking through it.
To be honest, I didn’t think that people would be so interested in Sashiko presentation. Therefore, I tried to make it fun, to entertain the audience rather than boring “informative” presentation. I may have made a mistake. I probably should have made Sashiko presentation more informative and specific about Sashiko.
Regardless, I enjoyed the Sashiko presentation VERY MUCH. The audience made a nice welcoming atmosphere. I sincerely appreciate Joshua, who invited me, to Faces and Places in Fashion, at Fashion Institute of Technology.
Answering Questions is my responsibility
I feel that I didn’t answer to all great questions with my best possible answers. So I will use this website to share the questions from the audience and my sincere answer. I don’t have to make a joke to escape from tension (I always try to make people laugh when I am nervous on stage….)
I am not a professional designer or tailor, but I practice Sashiko as the professional.
Since there is an interest in Sashiko, it is my responsibility to share the answer. In other words, this could be my contribution to the society.
I will try to remember and list all the questions I received. However, if you happened to be one of the audiences of my Sashiko presentation, and found that I miss the question, please comment on any posts. I will definitely follow up. The blog will be in the category of Sashiko Q&A.
A Power of Repurpose.
The theme of my Sashiko presentation was “A Power of Repurpose”
Fabric gets value when we repurpose it; when we repair it with appreciation. I believe Sashiko is a process of repurposing the fabric. The power of purpose apply not only to the fabrics, but also everything around you, including human.
Making a public speech about Sashiko may be my life-work to introduce what Sashiko is, and how beautiful “repurpose” can be.
Please contact me if you are interested in my speech. I would love to talk to you and your friends.
Upcycle Stitches LLC offer various Sashiko workshops in NYC/Brooklyn area. The list for the year of 2017 Sashiko Workshops is available on this website. The workshops are the hands-on opportunity to learn Sashiko techniques from experienced Sashiko artist, Atsushi Futatsuya. Visit the web to register your seat here.
Read this article to learn what you can expect to our HandsOn Sashiko Workshops.
Our goal through this website is to share our techniques and information. However, it is the best way to meet the instructors and learn from them. The workshops aren’t like the lecture you would just listen to the talking. You would move your hands to learn how to use the Sashiko thimble and needles, The instructor will sit down next to you and put hands on your hands to teach if necessary.
Although there is not “right” technique for the Sashiko stitching, we are proud of our accumulation of techniques and its uniqueness. I believe that, once you master our stitching method, the stitching process will speed up and you can enjoy more Sashiko project. As a result, your stitching skill will improve. The more you enjoy the Sashiko project, the better your stitching looks.
Contact us if you have any questions regarding Sashiko Workshops.
